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https://rozsixties.unl.edu/files/original/638bd913dcce63ba1639345e57ff6327.jpg
17b3f1107077c6ab8c6dfac9bebf7be6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
See You in Chicago
Description
An account of the resource
This button, which reads “See You in Chicago - Aug.’68” on an orange field, advertises planned protests by anti-war and civil rights activists at the August 1968 Democratic National Convention in Chicago. The protests degenerated into a police riot when Democratic mayor and party stalwart, Richard Daley, ordered an estimated 23,000 riot-clad police officers to attack roughly 10,000 demonstrators in and near Grant Park. The chaos outside of the convention hall, which was broadcast across the country and around the world, took place against the backdrop of growing public opposition to America’s War in Vietnam, the blossoming of the anti-war movement, increasing disillusionment with the Democratic Party and what many viewed as the slow rate of meaningful social change, as well as the shocking assassinations of Dr. Martin Luther King, Jr., and Senator Robert F. Kennedy, earlier that year. The tumultuous convention resulted in the nomination of Hubert H. Humphrey and Edmund S. Muskie as his running-mate. Republican standard-bearer, Richard Nixon, won the fall election, capping one of the more unlikely political comebacks in recent U.S. history.
Source
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Roz Payne
Publisher
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Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
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1968
Format
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Button
Type
The nature or genre of the resource
Physical Object
Subject
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New Left
Creator
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unknown
1968 election
Chicago '68
Democratic Party
electoral politics
politics
protest