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https://rozsixties.unl.edu/files/original/e34babb751254a667bcbca5eb1bf53b8.jpg
51dcf4b3d9786580d4c4634e6361ca27
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Belaunde is Coming
Description
An account of the resource
Fernando Belaunde Terry was a two-time president of Peru, from 1963-68 and then again from 1980-1985. Rising to power initially in the 1960s as a liberal/left reformer, Belaúnde mixed a traditional indigenous Inca emphasis on community and cooperation with a social democratic economic orientation. During his administration, the Peruvian government initiated a number of important internal development projects, including a highway system connecting the South with the more remote northern region; several irrigation and hydro-electric projects; public housing in cities; formal legal recognition for numerous indigenous groups; expanded hospital network into uncovered areas; and increased social security coverage. Belaúnde was deposed by a military coup in 1968 and forced into exile in the U.S. In 1980, the military junta agreed to allow national elections, which were won by Belaúnde. He served again as President of the country from 1980 to 1985. Under Belaunde’s administration, Peru reinstituted constitutional rule and freedom of the press. Over time, Peru’s domestic economic troubles and foreign debt led to a decrease in Belaunde’s popularity.
Source
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Roz Payne
Publisher
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Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
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unknown
Format
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Button
Type
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Physical Object
Subject
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International Politics
Creator
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unknown
Belaunde
electoral politics
Peru
solidarity