1
50
7
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ernesto Che Guevara
Description
An account of the resource
A brief biography of Latin American revolutionary, Ernesto Che Guevara
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
Subject
The topic of the resource
Latin American Revolution
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
pamphlet
Bolivia
Che Guevara
Cuba
Latin America
revolutionary
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rising Up Angry, vol. 2, no. 10
Description
An account of the resource
Rising Up Angry was a radical organization compromised of working class youth from communities in Chicago, Illinois. The group published a monthly newspaper that ran from 1969 to 1975. This issue features articles about revolutionary organizing in Asian American communities in San Francisco and New York; a critique of President Richard Nixon's welfare program; and, a statement that explains the repression against the radical press. Also highlighted in this issue is an article about self defense, including information about possession and proper use of guns. Towards the back of the publication, there is an entire page dedicated to local community programs, most of which are medical or legal in nature.
Creator
An entity primarily responsible for making the resource
Rising Up Angry
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Type
The nature or genre of the resource
underground press
Date
A point or period of time associated with an event in the lifecycle of the resource
1970
Subject
The topic of the resource
New Left
armed self-defense
Asian American activism
California
Chicago
community programs
Illinois
revolutionary
Richard Nixon
Rising Up Angry
San Francisco
Underground Press
welfare
-
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ccc99cc52367fd517b2b5e2454b8460f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free the San Quentin 6
Subject
The topic of the resource
Prisoner's Rights Movement
Description
An account of the resource
The San Quentin 6 were six prisoners at the San Quentin State Prison in California - Hugo Pinell, Willie Tate, Johnny Larry Spain, David Johnson, Fleeta Drumgo and Luis Talamantez- accused of participating in the 1971 escape attempt that resulted in six deaths, including celebrated black radical, George Jackson, as well as three guards, Frank DeLeon, Paul Krasenes and Jere Graham, and two white inmates, John Lynn and Ronald L. Kane. After the longest trial in California history, a preceding that garnered widespread national publicity, the San Quentin 6 received a mixed verdict.
Creator
An entity primarily responsible for making the resource
Jane Norling
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1973
Format
The file format, physical medium, or dimensions of the resource
poster
Black Power
California
David Johnson
Fleeta Drumgo
Frank DeLeon
George Jackson
Hugo Pinell
Jere Graham
John Lynn
Johnny Larry Spain
Luis Talamantez
Paul Krasenes
Prisoner's Rights Movement
radicalism
revolutionary
Ronald L. Kane
San Quentin
Willie Tate
-
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83cfadcf25f308319cff99e181e4a22f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Viva Che
Description
An account of the resource
On an orange field, this button contains the words, “Viva Che,” in black. Representing the cult of personality Che Guevara developed internationally following his death in 1967, this button signifies the international appeal of Guevara, particularly his armed involvement in the Cuban Revolution and Bolivia campaign. Guevara embodied the image and philosophy of intellectual Marxism coupled with guerilla warfare tactics. Wearing a Che t-shirt or button, or hanging a Che poster on the wall of a bedroom or office, was meant to signify a person's own (aspired to) radicalism.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
New Left
Creator
An entity primarily responsible for making the resource
unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
anti-imperialism
armed struggle
Bolivia
Che Guevara
Cuba
cult of personality
Latin America
radicalism
revolutionary
revolutionary chic
solidarity
-
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b349455c256f6d4598da6de49a7187c6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Crazies
Description
An account of the resource
During the late-1960s, the Crazies was a small, anarchist, New Left cell in lower-Manhattan that included Sam Melville, a former engineering technician known as “the mad bomber”; anti-war activist and writer for RAT, Sharon Krebs; Krebs’ partner, Robin Palmer, an “ex-Navy, ex-porn star, ex-deep-sea diver” turned radical; and, George Demmerle, a FBI informant who called himself “Prince Crazy” and known for wearing a purple cape and pink Roman centurion’s helmet. Members of the Crazies believed it was necessary to “bring the war home” by staging political stunts, instigating disorder and bombings. They were critical of “corporate imperialism,” specifically the US involvement in the Vietnam War, as well as social and racial inequality. They referred to these actions, which were not aimed at taking life but destroying property, as “responsible terrorism,” patterned on the actions of IRA members in Ireland and FLQ members in Canada. Members of the group helped Canadian FLQ members, who had bombed about a dozen targets over a six-month period, including the Montreal Stock Exchange, flee the country and hijack an airplane to Cuba. In 1969, they also infiltrated a $200 a plate political fundraiser at the Waldorf Astoria in New York. Disguised as waiters, Palmer and Krebs stripped naked and presented pigs’ heads on platters to the dining politicians and wealthy donors. Some members of the group also participated in the theft of explosives from a warehouse in the Bronx, which were then used by Melville and others in a series of 8 bombings in New York City in 1969 and 1970, including United Fruit, Chase Manhattan, Standard Oil and an army headquarters, among other sites. Some members of The Crazies were also connected to the Weather Underground and other radical organizations during this period. Sam Melville, who was arrested and imprisoned at Attica, was killed during the Attica Prison Uprising.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Creator
An entity primarily responsible for making the resource
The Crazies
Date
A point or period of time associated with an event in the lifecycle of the resource
late-1960s
Subject
The topic of the resource
New Left
anti-imperialism
Anti-War
armed self-defense
armed struggle
Bring the War Home
Chase Manhattan
FBI
FLQ
George Demmerle
informant
IRA
New Left
New York
Rat Subterranean News
revolution
revolutionary
Robin Palmer
Sam Melville
Sharon Krebs
Standard Oil
The Crazies
United Fruit
Vietnam War
violence
Waldorf Astoria
Weather Underground
-
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283953e09e99d292e15ed12773430acf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Che Guevara
Subject
The topic of the resource
Cuban Revolution
Description
An account of the resource
The image of Latin American revolutionary Ernesto "Che" Guevara became an icon among U.S. radicals during the 1960s, particularly after Guevara's assassination in 1967. To many activists, Guevara symbolized Third World solidarity in a global liberation struggle.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
Format
The file format, physical medium, or dimensions of the resource
poster
anti-imperialism
Anti-War
Che Guevara
Cuban Revolution
Latin America
radicalism
revolutionary
Vietnam War
-
https://rozsixties.unl.edu/files/original/94a81cae2e5c5929ee0252645f42c1d9.jpg
29cb79f610bc9ba6782506e5636be215
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free Ruchell Magee
Subject
The topic of the resource
Black Power
Description
An account of the resource
Ruchell Magee was born in 1939. In 1963, Magee was convicted of aggravated kidnapping over a dispute involving $10 of marijuana. While in prison, Magee learned about African American history, the black liberation struggle and became politicized, joining the Black Panther Party.
While imprisoned during the 1960s, Magee dedicated much of his time to studying law and petitioning the court to challenge his conviction, stating the the U.S. criminal justice system “used fraud to hide fraud” to convict African Americans and other political activists. He was able to overturn his initial conviction and earn a new trial based on a falsified transcript. In essence, Magee argued that his conviction was based on fraudulent grounds, denying him his constitutional rights and holding him involuntarily, making him a slave. As such, he claimed, he and others had a legal right to do everything in their power to escape enslavement. “My fight is to expose the entire system, judicial and prison system, a system of slavery,” he wrote. “This will cause benefit not just to myself but to all those who at this time are being criminally oppressed or enslaved by this system.” During this period, Magee took the middle name “Cinque,” in honor of a slave who escaped the slave ship, Amistad, and won his freedom in a Connecticut court. Magee also hoped his case might draw attention to the broader injustices within the American legal system.
On August 7, 1970, just a few months before Magee was eligible for parole, 17-year old Jonathan Jackson, the younger brother of black radical, George Jackson, burst into the Marin County courtroom of Superior Court Judge Harold Haley, where James McClain was on trial for assaulting a guard in the wake of Black prisoner Fred Billingsley’s murder by prison officials in San Quentin Prison in February of 1970. Carrying three guns registered to Angela Davis, Jackson, with the help of McClain and Ruchell Cinque Magee, who was set to testify as a witness in McClain's trial, seized Judge Haley and ordered attorneys, jurors and court officials to lie on the floor. Magee freed another testifying witness, Black Panther William A. Christmas, who also aided in the escape attempt. In addition to their own freedom, the group sought a trade -- the release of Judge Haley for the “Soledad Brothers,” George Jackson, Fleeta Drumgo, and John Clutchette, who were charged with killing a white prison guard at California’s Soledad Prison. During an effort to flee the courthouse in a van, a shoot-out with police took place, killing Jackson, McClain, Christmas and Judge Haley. Two other hostages, Prosecutor Gary Thomas and juror Maria Elena Graham, were also injured, but survived. Ruchell Magee was the only abductor to survive.
In the legal proceeding that followed the incident, prosecutors attempted to get Magee to testify against Angela Davis, but he refused. Ultimately, he pled guilty to aggravated kidnapping in exchange for the Attorney General requesting a charge of murder be dropped. Magee later tried to withdraw his guilty plea, but was unsuccessful. In 1975, he was sentenced to life in prison. Over the years, Magee has continued to petition the court for his release and to help other prisoners with legal challenges.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. early-1970s
Format
The file format, physical medium, or dimensions of the resource
poster
Angela Davis
Black Panther Party
Black Power
California
Cinque
Connecticut
Fleeta Drumgo
Fred Billingsley
Gary Thomas
George Jackson
Harold Haley
James McClain
John Clutchette
Maria Elena Graham
Marin County Courthouse
Political Prisoners
revolutionary
Ruchell Magee
San Quentin Prison
slavery
Soledad Brothers
Soledad Prison
William A. Christmas