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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prairie Fire: The Politics of Revolutionary Anti-Imperialism
Subject
The topic of the resource
New Left
Description
An account of the resource
Prairie Fire was a 188-page political manifesto published by the Weather Underground in 1974. It was written primarily by <span>Bill Ayers, Bernardine Dohrn, Jeff Jones, and Celia Sojourn and </span>articulated the radical splinter group's ideology, endorsed revolutionary violence, and, according to Jonah Raskin, "embodied a muffled desperation that underlay the bravado about Third World liberation." <span>The name for the manifesto was derived from the writings of Chinese Communist revolutionary, Mao Zedong. In his “Little Red Book,” he wrote, “a single spark can set a prairie fire" as an analogy for revolution. The ideas in the book drew not only on Maoist philosphy, but also Marxist/Leninism. The manifesto encourages a mix of mass-organizing and clandestine revolutionary violence. "Never disassociate mass struggle from revolutionary violence," the author's argued. "To leave people unprepared to fight the state," they said, "is to seriously mislead them about the inevitable nature of what lies ahead." "Prairie Fire" was distributed in radical bookstores, food coops, headshops, on college campuses and many other places that movement activists met. It was met with a combination of strong emotions throughout the Left. Ultimately, the ideological arguments articulated in "Prairie Fire" led to a new split in the Weather Underground, with some gravitating toward the "Prairie Fire Collective," which favored mass-based, above-ground revolutionary politics, and the "May 19th Communist Organization," which remained underground and pulled off the infamous Brinks robbery in 1981. </span><br /><br />Ron Jacobs, who has chronicled the history of the Weather Underground, reflects on Prairie Fire <a href="https://www.counterpunch.org/2004/07/24/the-weather-underground-s-prairie-fire-statement-thirty-years-on/">here</a> and <a href="https://www.versobooks.com/blogs/3469-a-second-wind-for-weather-underground-the-prairie-fire-statement">here</a>.<br /><br />Raskin's reflection on the manifesto on its 45th anniversary can be read <a href="https://www.tabletmag.com/jewish-arts-and-culture/288105/prairie-fire-weather-underground">here</a>.
Creator
An entity primarily responsible for making the resource
Weather Underground
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1974
Format
The file format, physical medium, or dimensions of the resource
small press publication
Bernadine Dohrn
Bill Ayers
Brinks robbery
Celia Sojourn
Jeff Jones
Jonah Raskin
Little Red Book
Mao Tse-tung
Maoism
Marxist-Leninism
May 19th Communist Organization
New Left
Prairie Fire
Prairie Fire Collective
revolution
Ron Jacobs
SDS
Students for a Democratic Society
underground
violence
Weather Underground
Weatherman
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Liberation, July 8, 1966, no. 83
Subject
The topic of the resource
New Left
Description
An account of the resource
Liberation was a left periodical published in Paris during the 1960s that served a wider European audience..
Creator
An entity primarily responsible for making the resource
Liberation
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
July 8, 1966
Format
The file format, physical medium, or dimensions of the resource
newspaper
China
Europe
France
Mao Tse-tung
New Left
Paris
radicalism
revolution
student movement
Vietnam War
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Longest Revolution, June 1977, vol. 1, no. 5
Subject
The topic of the resource
Women's Liberation
Description
An account of the resource
The Longest Revolution was a “news and views” periodical from a progressive feminist perspective created by The Collective of The Center for Women's Studies and Services, a women’s liberation organization that formed out of San Diego State University’s Women’s Studies Program, but which moved off-campus because of clashes with university administration. Articles in this issue focus on Anais Nin; women and art; battered women; International Women’s Year; gay liberation; rape; Planned Parenthood; marriage; Indian Health Services; sterilization; police; Date County gay rights; disability; pregnancy; National Organization for Women; media discrimination; local arts; a calendar and letters.
Creator
An entity primarily responsible for making the resource
The Collective of The Center for Women's Studies and Services
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
June 1977
Format
The file format, physical medium, or dimensions of the resource
newspaper
Anais Nin
art
battered women
California
Center for Women's Studies and Services
Dade County
disability
feminism
Florida
gay liberatiom
Indian Health Services
International Women’s Year
Italy
marriage
media
National Organization for Women
NOW
Planned Parenthood
police
pregnancy
rape
revolution
San Diego
San Diego State University
Sterilization
violence
Women's Liberation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Red Morning, no. 6, Summer 1971
Subject
The topic of the resource
Canadian New Left
Description
An account of the resource
Red Morning was a Canadian "revolutionary organization" located in Toronto during the early-1970s that operated in a "democratically centralist way." In this issue, articles focus on why the youth will make the revolution; the organizing philosophy of Red Morning; Wacheea, a tent city for young people; demonstration in Queen's Park; police repression; Toronto alternative press; Beggar's Banquet music event; Fabulous Fury Freak Brothers; free legal clinic; Edmonton riots; Sir George trials; release of Charles Gagnon and Pierre Vallieres; struggle in the U.S.; Chicano activism in Albuquerque; Latin American armed struggle; a "Free Paul Rose" insert poster and article; global armed revolution; self-defense during street fighting; women in jail; birth control; survival resources; Kingston Prison trial; Red Morning Program.
Creator
An entity primarily responsible for making the resource
Red Morning
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
Summer 1971
Type
The nature or genre of the resource
underground press
Albuquerque
alternative press
Anti-War
armed struggle
Beggar's Banquet
Birth Control
Canada
Charles Gagnon
Chicano movement
democratic centralism
Edmonton riots
Fabulous Furry Freak Brothers
feminism
free legal clinic
Kingston Prison trial
Latin America
Music
New Left
New Mexico
Paul Rose
Pierre Vallieres
police
police repression
Queen's Park
radicalism
Red Morning
Red Morning Program
revolution
self-defense
Sir George trials
survival resources
Toronto
Vietnam War
Wacheea
Women's Liberation
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Liberated Guardian, November 25, 1970
Subject
The topic of the resource
New Left
Description
An account of the resource
The National Guardian was a radical, left newsweekly published out of New York City from 1948-1992. The paper was established by James Aronson, Cedric Belfrage, who were committed activists for the Progressive Party and Henry Wallace presidential campaign, as well as John McManus and Josiah Gitt, both liberal newspaper men, though Gitt quickly dropped out. In addition to the Progressive Party, the newspaper also held ties with American communists and the labor movement. The Cold War took a toll on the newspaper, with the decline of the Progressive Party and the rise of McCarthyism in the U.S. During the post-WWII era, the newspaper focused coverage on opposition to the Cold War and militarism, support for emerging anti-colonial struggles around the world, defense of those targeted by McCarthyism, advocacy for the black freedom movement. The newspaper continued to hold a cozy relationship with the Communist Party U.S.A., though it did break with the group over some issues, particularly support for independent political action beyond party control. The 1960s-era brought a new period of political rancor within the editorial ranks of the newspaper. In the end, the periodical changed leadership and renamed itself The Guardian. The Guardian took an increasingly Maoist line, supporting armed struggles against colonialism. During this period, the newspaper attempted to forge ties with SDS and SNCC, writing that "The duty of a radical newspaper is to build a radical movement.” "We are movement people acting as journalists," the Guardian′s staff now proudly declared. The Liberated Guardian formed out of a workers strike at The Guardian newspaper in New York City in the Spring of 1970. The Liberated Guardian was notable for it strong stand in favor of armed struggle. An ideological and political split within the ranks of the Liberated Guardian staff led to the newspaper’s demise in late-1973. The original Guardian pressed on and took on a more hard-line Marxist-Leninist ideology in the late-1970s, eroding that newspaper’s reputation for investigative journalism. Readership and support for The Guardian declined through the 1980s and the paper ceased publication in 1992.
In this issue, articles focus on Malcolm X’s assassination; Black Panther Party; Timothy Leary and armed struggle; the privatization of imperial intervention; local short reports on revolutionary struggle in the U.S.; liberation struggle in Uruguay; draft counseling; the Seattle Liberation Front; the War Measures Act in Canada; Quebec independence movement; police repression in Canada; Palestinian liberation; lessons from the Jordan wars; the CIA in Israel; review of the film Finally Got the News, on the League of Revolutionary Black Workers; labor strike at Fiat in Italy; black workers in the auto industry; corporations that make antipersonnel munitions; report on peace talks in Paris; tenants rights; local briefs; indigenous people in Columbia and armed struggle; letters to the editor.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
November 25, 1970
Creator
An entity primarily responsible for making the resource
Liberated Guardian Worker's Collective
Type
The nature or genre of the resource
underground newspaper
anti-imperialism
Anti-War
armed struggle
assassination
auto industry
Black Panther Party
Black Power
black workers
Canada
Cedric Belfrage
CIA
Columbia
corporatization
draft counseling
DRUM
Fiat
film
Finally Got the News
France
Guardian
Henry Wallace
imperialism
Israel
Italy
James Aronson
John McManus
Jordan
Josiah Gitt
labor movement
League of Revolutionary Black Workers
Liberated Guardian
Malcolm X
Marxist-Leninism
militarism
New Left
New York
Palestine
Panther 21
Paris
Paris Peace Accords
police repression
Progressive Party
Quebec nationalism
revolution
Rosenbergs
Seattle Liberation Front
tenant's rights
the War Measures Act
Timothy Leary
Uruguay
Vietnam War
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"The Spirit of the People Will Be Stronger than the Pig's Technology"
Subject
The topic of the resource
Black Power Movement
Description
An account of the resource
This wall poster was created by the Black Panther Party and encourages revolution.
Creator
An entity primarily responsible for making the resource
Black Panther Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s or early-1970s
Format
The file format, physical medium, or dimensions of the resource
poster
armed self-defense
armed struggle
Black Panther Party
Black Power
Pigs
Police Brutality
revolution
technology
Ten Point Program
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Crime in the Streets
Subject
The topic of the resource
Anti-Vietnam War Movement
Description
An account of the resource
This wall poster was created in the lead-up to the November 1968 presidential election, in the wake of the 1968 Democratic National Convention demonstrations in Chicago. The poster details police repression against demonstrators, an upcoming boycott by high school students on election day, as well as National G.I. Week, which also coincided with the election.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1968
Format
The file format, physical medium, or dimensions of the resource
poster
1968 election
Anti-War
boycott
Chicago '68
electoral politics
G.I. rights
National G.I. Week
Pigs
police
Police Brutality
protest
revolution
student strike
Vietnam War
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rainbow River
Subject
The topic of the resource
White Panther Party
Description
An account of the resource
Rainbow River was an underground press paper put out by the White Panther Party in Somerville, Massachusetts. In this issue, article topics include drugs, high schools and oppression, draft resistance, poetry about revolution and food coops, a Weather Underground statement and the White Panther Party 12-Point Program.
Creator
An entity primarily responsible for making the resource
White Panther Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
underground press
Type
The nature or genre of the resource
newsletter
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. early-1970s
counterculture
Draft Resistance
drugs
feminism
food co-op
high school
identity politics
Massachusetts
New Left
Rainbow River
Rainbow River Tribe
revolution
Somerville
student movement
Weather Underground
White Panther Party
Women's Liberation
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Jesus Wept, Peter Slept, John Fell Out the Back Door Step"
Subject
The topic of the resource
Black Panther Party
Description
An account of the resource
This article includes a poem about Jesus meeting a member of the Black Panther Party (Afeni Shakur) and being turned on to the revolution.
Creator
An entity primarily responsible for making the resource
Black Panther Party (Afeni Shakur)
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
July 4, 1970
Format
The file format, physical medium, or dimensions of the resource
newsprint
Type
The nature or genre of the resource
article
Afeni Shakur
Black Panther Party
Black Power
Jesus
New York
New York 21
radicalism
revolution
-
https://rozsixties.unl.edu/files/original/f692dd81f8e142ca47e645978cdee84f.png
dc11d43dffa11534a5d6e2b8554d6d7e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Holiness"
Subject
The topic of the resource
Black Panther Party
Description
An account of the resource
This poem, written by imprisoned Black Panther Party member, Afeni Shakur, explores the hypocrisy of U.S. society and conjure a revolutionary Jesus who is in solidarity with the Black Panther Party.
Creator
An entity primarily responsible for making the resource
Afeni Shakur
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1970
Format
The file format, physical medium, or dimensions of the resource
newsprint
Type
The nature or genre of the resource
poem
Afeni Shakur
armed self-defense
Black Panther Party
Black Power
Jesus
New York
New York 21
Pigs
radicalism
revolution
-
https://rozsixties.unl.edu/files/original/2770e6708f9f2669a961cb73d9aa0a84.jpg
a8f2b4ef4d1bbba79ee85d30ac8b2c2b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
drawing
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Power to the People - George"
Subject
The topic of the resource
Black Panther Party
Description
An account of the resource
George Jackson was imprisoned for armed robbery in 1961 and placed in San Quentin Prison before being transferred to Soledad Prison. While incarcerated, Jackson became radicalized and formed a Maoist-Marxist group, the Black Guerrilla Family. He was also a member of the Black Panther Party. In 1970, he and two other inmates were charged with the murder of prison guard, John Vincent Mills, following a fight. They became known as the Soledad Brothers and were seen by many radicals as political prisoners. Jackson was also an author and published the influential, "Soledad Brother: The Prison Letters of George L. Jackson." Jackson was killed by guards at San Quentin during an escape attempt in 1971. Many activists believed he was murdered as retaliation for his activism. “To the slave," Jackson wrote, "revolution is an imperative, a love-inspired, conscious act of desperation. It’s aggressive. It isn’t 'cool’ or cautious. It’s bold, audacious, violent, an expression of icy, disdainful hatred!”
This 1971 poster from Cuba's OSPAAAL (Organization of Solidarity of the People of Asia, Africa & Latin America) marks Jackson's murder and shows his body laying contorted on the ground with star-spangled blood pooling around him. OSPAAA was the main publisher of international solidarity posters in Cuba. Notably, these colorful propaganda posters were not designed to be posted on walls within Cuba, as others were. Instead, they were folded and stapled inside the magazine, Tri-Continental, where they were then distributed internationally.
Creator
An entity primarily responsible for making the resource
Rafael Morante
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1971
Format
The file format, physical medium, or dimensions of the resource
print
Type
The nature or genre of the resource
poster
Black Guerrilla Family
Black Panther Party
Black Power
Blood In My Eye
California
Cuba
George Jackson
Maoism
Marxism
OSPAAAL
Power to the People
Prisoner's Rights Movement
radicalism
revolution
San Francisco
San Quentin
Soledad Brothers
Soledad Prison
Tri-Continental magazine
violence
-
https://rozsixties.unl.edu/files/original/74fa129a6b8af66f4d326607612abbe5.jpg
b349455c256f6d4598da6de49a7187c6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Crazies
Description
An account of the resource
During the late-1960s, the Crazies was a small, anarchist, New Left cell in lower-Manhattan that included Sam Melville, a former engineering technician known as “the mad bomber”; anti-war activist and writer for RAT, Sharon Krebs; Krebs’ partner, Robin Palmer, an “ex-Navy, ex-porn star, ex-deep-sea diver” turned radical; and, George Demmerle, a FBI informant who called himself “Prince Crazy” and known for wearing a purple cape and pink Roman centurion’s helmet. Members of the Crazies believed it was necessary to “bring the war home” by staging political stunts, instigating disorder and bombings. They were critical of “corporate imperialism,” specifically the US involvement in the Vietnam War, as well as social and racial inequality. They referred to these actions, which were not aimed at taking life but destroying property, as “responsible terrorism,” patterned on the actions of IRA members in Ireland and FLQ members in Canada. Members of the group helped Canadian FLQ members, who had bombed about a dozen targets over a six-month period, including the Montreal Stock Exchange, flee the country and hijack an airplane to Cuba. In 1969, they also infiltrated a $200 a plate political fundraiser at the Waldorf Astoria in New York. Disguised as waiters, Palmer and Krebs stripped naked and presented pigs’ heads on platters to the dining politicians and wealthy donors. Some members of the group also participated in the theft of explosives from a warehouse in the Bronx, which were then used by Melville and others in a series of 8 bombings in New York City in 1969 and 1970, including United Fruit, Chase Manhattan, Standard Oil and an army headquarters, among other sites. Some members of The Crazies were also connected to the Weather Underground and other radical organizations during this period. Sam Melville, who was arrested and imprisoned at Attica, was killed during the Attica Prison Uprising.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Creator
An entity primarily responsible for making the resource
The Crazies
Date
A point or period of time associated with an event in the lifecycle of the resource
late-1960s
Subject
The topic of the resource
New Left
anti-imperialism
Anti-War
armed self-defense
armed struggle
Bring the War Home
Chase Manhattan
FBI
FLQ
George Demmerle
informant
IRA
New Left
New York
Rat Subterranean News
revolution
revolutionary
Robin Palmer
Sam Melville
Sharon Krebs
Standard Oil
The Crazies
United Fruit
Vietnam War
violence
Waldorf Astoria
Weather Underground
-
https://rozsixties.unl.edu/files/original/cfd7f4c15e9a8755ae8984a84b5174dc.jpg
aad95af2c816fe70450fc41fc8f35b9a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Revolution is the Way to Life
Description
An account of the resource
This button depicts a gun, peace pipe, and a guitar, emblematic of the late-1960s political and cultural revolution of the New Left, Yippies and White Panther Party.
Creator
An entity primarily responsible for making the resource
unknown; perhaps the Yippies
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Anti-War and Counterculture Movement
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
armed self-defense
counterculture
New Left
peace pipe
revolution
White Panther Party
Yippies
-
https://rozsixties.unl.edu/files/original/5da32c99ce476267affd157014e14905.jpg
c97fc1bc02cb960fca7a3ca8c89a6c14
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Revolution Revolution
Subject
The topic of the resource
Anti-Vietnam War Movement
Description
An account of the resource
This poster features a photograph from an anti-war demonstration with a participant holding a poster from Guerrilla: Free Newspaper of the Streets that read, "Revolution Revolution - Eldridge Cleaver for President." The image underscores the growing radicalism and the interconnections between various movements in the New Left
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1968
Format
The file format, physical medium, or dimensions of the resource
poster
Anti-War
demonstration
Eldridge Cleaver
Guerrilla
New Left
radicalism
revolution
Vietnam War