1
50
6
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Left Notes, vol. 1, no. 29, August 5, 1966
Subject
The topic of the resource
New Left
Description
An account of the resource
New Left Notes was the official newspaper published by the Students for a Democratic Society (SDS). This issue includes articles about the upcoming SDS national convention in Clear Lake, Iowa; a debate over electoral politics and the National Council for a New Politics; a burglary at the Chicago headquarters of the DuBois Clubs of America; definitions of radicalism; an update from the Iowa City chapter; a discussion of the intersection of race and poverty and ERAP; a response to a previous article on the Communist Convention; SDS and ideology; “derisive terminology”; the radical tradition in America; the “crisis of Cold War ideology”; an Cleveland gathering of anti-war groups; “representative democracy” vs. “referendum democracy”; recent racial conflict on Chicago’s West Side; an upcoming Socialist Scholars Conference; grape strike; SSOC; a response to a critique of the New Left by Tom Kahn; letters to the editor.
Creator
An entity primarily responsible for making the resource
Students for a Democratic Society
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
August 5, 1966
Type
The nature or genre of the resource
underground press
Anti-War
Bruce Pech
Chicano movement
Clear Lake
Cleveland
Cold War
communism
DuBois Club
Economic Research and Action Project
ERAP
grape boycott
ideology
Illinois
Iowa
Iowa City; Chicago
labor movement
National Council for a New Politics
New Left
New Left Notes
Ohio
Paul Booth
Poverty
radical tradition
radicalism
referendum democracy
representative democracy
SDS
Socialist Scholars Conference
Southern Student Organizing Committee
SSOC
Students for a Democratic Society
terminology
Tom Kahn
United Farm Workers of America
University Circle Teach-In Committee;
Vietnam War
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Left Notes, vol. 1, no. 17, May 13, 1966
Subject
The topic of the resource
New Left
Description
An account of the resource
New Left Notes was the official newspaper published by the Students for a Democratic Society (SDS). This issue includes articles about upcoming demonstrations against Vietnam draft tests on campuses; local updates; grape strike; National Council minutes; JOIN Community Union; MFDP summer recruiting; Southern Courier recruitment.
Creator
An entity primarily responsible for making the resource
Students for a Democratic Society
Source
A related resource from which the described resource is derived
Bruce Pech
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
May 13, 1966
Type
The nature or genre of the resource
underground press
Alabama
Anti-War
Bruce Pech
Chicago
Chicano movement
Draft Resistance
grape boycott
Illinois
JOIN Community Union
labor movement
MFDP
Mississippi
Mississippi Freedom Democratic Party
Montgomery
New Left
New Left Notes
SDS
Southern Courier
Students for a Democratic Society
United Farm Workers of America
Vietnam War
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bring Justice to America’s Fields in ’76
Description
An account of the resource
The United Farm Workers of America was founded in 1962 following the merger between Agricultural Workers Organizing Committee and Cesar Chavez’s National Farm Workers Association. The new union was led by Chavez and Delores Huerta. In general, the UFWA sought to raise awareness of migrant workers’ rights and utilized nonviolent strategies such as collective bargaining, strikes, and boycotts, to secure and protect farm-workers labor rights, work hours, wages and access to health care. During the late-1960s and mid-1970s, the UFWA initiated well-known boycotts against table grapes and lettuce to protest what they viewed as unfair labor contracts and unacceptable working conditions.
Creator
An entity primarily responsible for making the resource
United Farm Workers of America
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1976
Format
The file format, physical medium, or dimensions of the resource
Button
Language
A language of the resource
en-US
Type
The nature or genre of the resource
Physical Object
Button
California
Cesar Chavez
Delores Huerta
grape boycott
labor movement
Latino
lettuce boycott
politics
protest
unions
United Farm Workers of America
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Huelga Delano (Strike Delano)
Description
An account of the resource
The Delano Grape Strike was organized by Cesar Chavez, Delores Huerta and the United Farm Workers of America and lasted from 1965 to 1970. The campaign incorporated nonviolent strategies such as boycotts and grassroots organizing to challenging the low pay of migrant workers by table-grape growers, namely the DiGiorgio Corporation and Schenley Industries. The Delano Strike, which received considerable national attention, ended in July 1970 with the signing of an agreement between the UFWA and the DiGiorgio Corporation.
Creator
An entity primarily responsible for making the resource
United Farm Workers of America
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
United Farm Workers Movement
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
boycott
California
Cesar Chavez
Chicano movement
Delano
Delores Huerta
grape boycott
identity politics
labor movement
protest
United Farm Workers of America
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Support Farm Workers
Description
An account of the resource
The United Farm Workers of America was founded in 1962 following the merger between Agricultural Workers Organizing Committee and Cesar Chavez’s National Farm Workers Association. The new union was led by Chavez and Delores Huerta. In general, the UFWA sought to raise awareness of migrant workers’ rights and utilized nonviolent strategies such as collective bargaining, strikes, and boycotts, to secure and protect farm-workers labor rights, work hours, wages and access to health care. During the late-1960s and mid-1970s, the UFWA initiated well-known boycotts against table grapes and lettuce to protest what they viewed as unfair labor contracts and unacceptable working conditions.
Creator
An entity primarily responsible for making the resource
United Farm Workers of America
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
United Farm Workers
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. mid-1960s
Agricultural Workers Organizing Committee
agriculture
boycott
California
Cesar Chavez
Chicano movement
Delores Huerta
grape boycott
lettuce boycott
National Farm Workers Association
protest
strike
United Farm Workers of America
-
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13492c3baf421157aaaf7f50c671065a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Objects
Description
An account of the resource
This collection contains a small number of physical objects, including a National Liberation Front flag, a fake check depicting the burning of the Bank of America branch in Isla Vista, an admission pass to Woodstock, an anti-war necklace made from the shrapnel of a downed U.S. military airplane in North Vietnam, a pop art necklace made from soda bottle caps, and folk singer Malvina Reynolds' guitar. Most notable, perhaps, is a lengthy homemade book created by Roz Payne and a number of other radical feminists.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
On February 25, 1970, radical New Left attorney, William Kunstler, gave a talk at Harder Stadium on the campus of the University of California-Santa Barbara. At the time, Kunstler was the defense attorney for the “Chicago 7,” who were charged with conspiracy to instigate a riot during the 1968 Chicago Democratic National Convention. During his speech, Kunstler noted recent local controversies, including the firing of Anthropology Professor, Bill Allen, as well as scattered violence between students and police in the student enclave of Isla Vista. During his remarks, Kunstler said, “I have never thought that breaking of windows and sporadic, picayune violence is a good tactic. But, on the other hand, I cannot bring myself to become bitter and condemn young people who engage in it.” The crowd whistled and applauded. Following the talk, as those in attendance walked toward a park in Isla Vista for a rally, police, who patrolled Isla Vista in what was termed a “saturation patrol technique,” arrested Rich Underwood, mistaking a bottle of wine he was drinking for a Molotov Cocktail. When Underwood resisted, police beat him. The arrival of more riot clad police set off clashes with students who shouted and threw rocks and bottles. Santa Barbara City College student and radio broadcaster, Malcolm Gault-Williams, explained, “Imagine being in Harder Stadium and having the lawyer of a high-profile national trial … draw connections between what has been happening nationally with what has been happening on campus. And then imagine a large part of those attendees leave the stadium and … watch as police not just arrest a student but beat the shit out of him.” Another student, John Riley, echoed that interpretation, saying, “Cops arrested this guy and set everything off. It was like throwing a match into a gasoline can, everybody just went nuts.”
That evening, the unrest spread, as student broke the windows of several real estate agencies, set police cars on fire, and then began targeting the Isla Vista Bank of America building, ultimately burning it down. UCSB Sociology Professor, Dick Flacks, recalled, “By evening I would guess hundreds of people were in the street and at some point people lit a trash dumpster and pushed it through the bank doors.” During the incident, several waves of riot-clad police were repelled by protesters. As one student recalled, “All of the sudden, all you heard out windows of the houses right next door was the Rolling Stones’ ‘Street Fighting Man.’”
It was the second consecutive night of disturbances in Isla Vista. The previous day, 150-200 people set trash cans on fire and vandalized local real estate offices, including the front window of the Isla Vista Bank of America branch, after the arrest of “Lefty” Bryant, a well‐known black student radical, and three other campus activists, Greg Wilkinson, Jim Trotter and Mick Kronman.
Students targeted Bank of America as a symbol of American capitalism. Bank of America had branches in Vietnam, helped fund the war industry and also side with California grape growers, rather than striking workers in the United Farm Workers. Becca Wilson, a student and editor of El Gaucho, explained, “It was the biggest capitalist thing around. It was a symbol of the corporations that benefited from war and were oppressing people all over world, in whose interest government was acting.” Another student, Greg Desilet, offered a slightly different interpretation, “The day afterwards a lot of it was rationalized as anti-war. The bank was seen to be in league with defense corporations providing armaments for Vietnam. That was the rationale given, but in my view it was more. It was locally centered with a lot of local anger toward police that had developed over time. People were just pissed off. They were really pissed off.” The Isla Vista Bank of America incident received national media attention, prompting Governor Ronald Reagan to declare a state of emergency and call in the National Guard, who made an estimated 300 arrests.
On April 18, 1970, unrest again hit Isla Vista, this time with tragic results. The Bank of America had established a new temporary branch and students again protested. Police arrived in armored trucks, dressed in riot gear and armed with tear gas. Radical activists over-turned cars and again began burning buildings. As Gault-Williams recounted, “The college’s student body president called on more moderate students to head down to the protest to try to calm some of the more radical students who were rioting and lighting fires. Kevin [Moran] and his roommates headed down to the scene. After helping put out a fire in a Taco Bell, Kevin ran to Bank of America, which had also been torched. While the students attempted to put out the fire, police officers moved in and began tossing tear gas into the crowds. During the confusion, police reported at the time, an officer’s rifle accidentally went off and fragments of the bullet struck and killed Kevin.” Initially, local police claimed a sniper bullet killed Moran, but ballistic tests showed that it came from an officer’s rifle. He was later exonerated. In June, 17 students, most well-known campus activist leaders, were indicted for the Isla Vista unrest, despite the fact that several had solid alibis. That same month, a third incident of unrest struck Isla Vista, prompting a harsh response from Los Angeles police. That police response attracted a rebuke from conservative writer, William F. Buckley, in the Los Angeles Times.
In his 1979 tell-all book, Deep Cover, former FBI agent, Cril Payne, claims the FBI was very active in Santa Barbara at the time and played a role in instigating the burning of the Isla Vista Bank of America building as a part of their COINTELPRO operations.
Title
A name given to the resource
Bank of Amerika Check
Subject
The topic of the resource
Anti-Vietnam War Movement
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1970
Format
The file format, physical medium, or dimensions of the resource
bank check
“Lefty” Bryant
Anti-War
Bank of America
Becca Wilson
Bill Allen
California
capitalism
Chicago '68
Chicago 7
COINTELPRO
Cril Payne
Deep Cover
Dick Flacks
El Gaucho
FBI
grape boycott
Greg Desilet
Greg Wilkinson
Harder Stadium
Isla Vista
Jim Trotter
John Riley
Kevin Moran
Los Angeles Times
Malcolm Gault-Williams
Mick Kronman
militarism
Molotov cocktail
National Guard
New Left
Rich Underwood
Rolling Stones
Ronald Reagan
Santa Barbara City College
Street Fighting Man
Taco Bell
United Farm Workers of America
University of California-Santa Barbara
Vietnam War
William F. Buckley
William Kunstler