Whitney Museum Presents "Newsreel: Ten Years of Political Documentaries"
Underground Press
This poster promotes an exhibition of films by Newsreel Films at the Whitney Museum in New York City.
During the mid-2000s, Roz Payne wrote a brief essay on the early history of Newsreel Films:
"In 1967 a group of independent filmmakers, photographers, and media workers formed a collective to make political relevant films sharing our resources, skills, and equipment. As individuals we had been covering many of the events that we considered news, demonstrations, acts of resistance, and countless inequities and abuses. Sometimes films were made and some times not. Most often they were made too late and did not go to the people who could use them best.
We met in a basement in the lower eastside of New York and later at the alternate U, then more basements until we got an office. The only news we saw was on TV and we knew who owned the stations. We decided to make films that would show another side to the news. It was clear to us that the established forms of media were not going to approach those subjects which threaten their very existence.
I was a school teacher in New Jersey who shot photos. My marriage with Arnold Payne, Mr. Muscle Beach Jr. had broken up, I left a little house on the Palisades, overlooking the boats on the Hudson River right over the Spry sign across from 96th Street. I would sit looking at the burning windows of the NYC skyline as the sun set. That fire and the fire from a GI's Zippo lighter on the straw of a Vietnamese hut helped ignite me. I moved to New York City.
Walking down Second Ave and 10th Street with my camera one afternoon Melvin Margolis, a wild looking hippie stopped me and said, 'Hey, your a photographer and there's a meeting tonight of all the political film people. You have to go. It is very important. Make sure that you go. I'm not kidding.' I showed up that night, to the first meeting of Newsreel.
About 30 people met weekly to talk about films, equipment, and politics. I think we were great because we came from various political backgrounds and had different interests. We never all agreed on a political line. We broke down into smaller groups to work on the films. The working groups included anti-Vietnam-war, anti-imperialist, high school, students, women, workers, Yippies, Third World, and the infamous sex, drugs and party committee.
We wanted to make two films a month and get 12 prints of each film out to groups across the country. We wanted to spark the creation of similar news-film groups in other major cities of the United States so that they would distribute our films and would cover and shoot the events in their area.
The first film I worked on was the 1968 student take over of Columbia University. The students had taken over 5 buildings. We had a film team in each building. We were shooting from the inside while the rest of the press were outside. We participated in the political negotiations and discussions. Our cameras were used as weapons as well as recording the events. Melvin had a W.W.II cast iron steel Bell and Howell camera that could take the shock of breaking plate glass windows.
Newsreel worked to expand the awareness of events and situations relevant to shaping the movement. Our films tried to analyze, not just cover; they explored the realities that the media, as part of the system, always ignores.
In the 67 the FBI started the Counter-intelligence program to try to destroy African Americans, especially the Black Panther Party and the New Left. We worked with Third World groups. We produced various films that these groups could use to tell their stories and to use in organizing in their own communities and workplaces, hopefully serving as catalysis for social change.
Newsreel not only made films but we were among the first to distribute films made in Cuba, Vietnam, Africa, and the Middle East.
As Newsreel grew we spread out, opened offices and distribution centers across the country. We had offices in San Francisco, Detroit, Boston, Kansas, Los Angeles, Vermont, and Atlanta. We made films and distributed our films in the hope that the audiences who saw them would respond to the issues they raised. We wanted people to work with our films as catalysis for political discussions about social change in America and to relate the questions in the films to issues in their own communities.
We had many struggles in Newsreel around class, women, political education, cultural and worker politics, the haves and have nots. It was hard to hold to the correct political line. Little by little the groups changed from film-maker control to worker control, to women control, to third world control. Today, Third World Newsreel is in New York, California Newsreel is in San Francisco, and there is a Vermont Newsreel Archives.
In l972, myself and others moved to Vermont. We continue to distribute Newsreel films, shoot videos, use computer graphics, and maintain a film, photo, and document archive. With the easy accessibility of video cameras thousands of people are making their own documents to tell the stories of what is happening around them. I am shooting history of retired FBI agents that worked on Cointelpro against Don Cox, an exiled Black Panther and the white women who helped him. I teach History of the Sixties, Civil Rights Movement, Women, and Mycology at Burlington College."
Whitney Museum
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. 1977
poster
Osawatomie, Autumn 1975, no. 3
Weather Underground
Newsletter of the Weather Underground summarizing the latest happenings in the underground, including articles about the Weather Underground’s class analysis; the Prisoner’s Rights Movement; book reviews on radical women; the power of film; the Weather Underground bombing of Kennecott Corporation; Portuguese Revolution; toolbox on socialism; Boston busing crisis; Korea; fiction; country music.
Weather Underground
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Autumn 1975, no. 3
underground press
RAT Subterranean News, February 6-23, 1970
New Left
RAT Subterranean News was published in New York, starting in March of 1968 and was edited by Jeff Shero, Alice Embree and Gary Thiher, who had come North from Austin, Texas, where they worked on The Rag, another important underground paper. Whereas the East Village Other represented the counterculture point of view, RAT had a left political orientation. In early 1970, women’s liberation activists took over RAT and turned it into a women-only periodical to challenge sexism within the New Left. This issue is the first after the take-over of RAT and covers a wide range of topics, including Afeni Shakur and the Panther 21; letters to the editor; women’s take-over of RAT; feminist critique of the New Left; the ambush of New York police in Harlem; the emergence of strong women leadership in the Weather Underground; Kathleen Cleaver in Algeria; sabotage; theft and activism; Boston students protesting a lecture by S.I. Hayakawa; Berkeley women take-over of karate class; a Gay Liberation Front protest at a San Francisco radio station; gas masks; women challenging doctors on abortion; sex and sexism; “Are Men Really the Enemy?” exam; John Sinclair release from prison; Palestinian women and armed struggle in Jordan; obscenity trial against Che; women in China; a Stockton, California, housewives strike; poetry; film review of “Prologue…”
R.A.T. Publications, Inc
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
February 6-23, 1970
underground press
Cornell Daily Sun, Friday, May 2, 1969
New Left
The Cornell Daily Sun is an independent newspaper published by Cornell University students in Ithaca, New York. The newspaper was established in 1880 by William Ballard Hoyt to challenge the weekly Cornell Era. Of particular note in this issue is coverage of the Cornell SDS ROTC protest. Members of SDS and their supporters “broke into a restricted area of Barton Hall” and “painted slogans on a Naval Reserve Officers Training Corps practice deck gun.” This protest was a part of a larger wave of protest against ROTC on campuses across the country during this period. Other articles focus on a Cornell Trustee meeting in the wake of campus protests; demonstrations on other campuses nationwide. Also, this issue includes advertisements for a film screening of The Beatles new film, “Magical Mystery Tour,” an upcoming concert at Cornell by Janis Joplin, an upcoming concert on campus by the Pharoah Sander Quintet and an upcoming concert at Syracuse by Jimi Hendrix.
Cornell Daily Sun
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
May 2, 1969
independent media
Liberated Guardian, November 25, 1970
New Left
The National Guardian was a radical, left newsweekly published out of New York City from 1948-1992. The paper was established by James Aronson, Cedric Belfrage, who were committed activists for the Progressive Party and Henry Wallace presidential campaign, as well as John McManus and Josiah Gitt, both liberal newspaper men, though Gitt quickly dropped out. In addition to the Progressive Party, the newspaper also held ties with American communists and the labor movement. The Cold War took a toll on the newspaper, with the decline of the Progressive Party and the rise of McCarthyism in the U.S. During the post-WWII era, the newspaper focused coverage on opposition to the Cold War and militarism, support for emerging anti-colonial struggles around the world, defense of those targeted by McCarthyism, advocacy for the black freedom movement. The newspaper continued to hold a cozy relationship with the Communist Party U.S.A., though it did break with the group over some issues, particularly support for independent political action beyond party control. The 1960s-era brought a new period of political rancor within the editorial ranks of the newspaper. In the end, the periodical changed leadership and renamed itself The Guardian. The Guardian took an increasingly Maoist line, supporting armed struggles against colonialism. During this period, the newspaper attempted to forge ties with SDS and SNCC, writing that "The duty of a radical newspaper is to build a radical movement.” "We are movement people acting as journalists," the Guardian′s staff now proudly declared. The Liberated Guardian formed out of a workers strike at The Guardian newspaper in New York City in the Spring of 1970. The Liberated Guardian was notable for it strong stand in favor of armed struggle. An ideological and political split within the ranks of the Liberated Guardian staff led to the newspaper’s demise in late-1973. The original Guardian pressed on and took on a more hard-line Marxist-Leninist ideology in the late-1970s, eroding that newspaper’s reputation for investigative journalism. Readership and support for The Guardian declined through the 1980s and the paper ceased publication in 1992.
In this issue, articles focus on Malcolm X’s assassination; Black Panther Party; Timothy Leary and armed struggle; the privatization of imperial intervention; local short reports on revolutionary struggle in the U.S.; liberation struggle in Uruguay; draft counseling; the Seattle Liberation Front; the War Measures Act in Canada; Quebec independence movement; police repression in Canada; Palestinian liberation; lessons from the Jordan wars; the CIA in Israel; review of the film Finally Got the News, on the League of Revolutionary Black Workers; labor strike at Fiat in Italy; black workers in the auto industry; corporations that make antipersonnel munitions; report on peace talks in Paris; tenants rights; local briefs; indigenous people in Columbia and armed struggle; letters to the editor.
Liberated Guardian Worker's Collective
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
November 25, 1970
underground newspaper
Fillmore East Shooting for Yippie Film
(41 images)
New Left/Counterculture
These images were taken by Roz Payne at the Fillmore East in New York City during shooting for a film on the Yippies.
Roz Payne
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. 1968
"Newsreel: Film and Revolution," by Bill Nichols
Underground Press
This article was written by Bill Nichols for Cinéaste, vol. 5, no. 4, pp. 7-13, for an issue on radical film in 1973. It provides a brief overview of the history of Newsreel Film.
Bill Nichols
Cinéaste
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1973
Patrick Jones
journal article
University Review, no. 28, April 1973
New Left
University Review was ;published was published by Entelechy Press in New York City. “Entelechy” is a term coined by Aristotle that has come to mean a force propelling one to self-fulfillment. According to the magazine front-matter, "UR. Universal Ragout. Ultimate Repast. Worldly in taste, stellar in ingredients, intergalactic in appeal... Food for thought. Month after month. Whet your appetite." This issue includes letters to the editor; an editorial on Allen Ginsburg, Pete Seeger and Groucho Marx; Weather Underground Communique #13; film review of Charlotte’s Web; an interview with Bernardo Bertolucci; Bobby Seale’s mayoral campaign; women in prison;
Food fads; a music review of Mahavishnu Orchestra, Bob Marley and the Wailers, David Bromberg, the Moody Blues and a set of new blues records; book reviews about drugs, Our Bodies, Ourselves, Vietnam and several books about film.
University Review
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
University Review, no. 30, June 1973
New Left
University Review was ;published was published by Entelechy Press in New York City. “Entelechy” is a term coined by Aristotle that has come to mean a force propelling one to self-fulfillment. According to the magazine front-matter, "UR. Universal Ragout. Ultimate Repast. Worldly in taste, stellar in ingredients, intergalactic in appeal... Food for thought. Month after month. Whet your appetite." This issue includes letters to the editor; Nixon and Watergate; media shorts; a review of Alistair Cooke’s show, “America”; Cambodia; the Union Grove Convention bluegrass festival; Joanne Grant reflection on the civil rights movement; cereal boxes and consumer culture; music reviews of Earl Scruggs and Sonny Rollins; book reviews on the Rosenbergs, the back-to-the-land movement, a Doris Lessing novel and SDS; and film reviews of “State of Siege” and others.
Entelechy Press
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
June 1973
newspaper
University Review, December 1974, no. 41
New Left
University Review was ;published was published by Entelechy Press in New York City. “Entelechy” is a term coined by Aristotle that has come to mean a force propelling one to self-fulfillment. According to the magazine front-matter, "UR. Universal Ragout. Ultimate Repast. Worldly in taste, stellar in ingredients, intergalactic in appeal... Food for thought. Month after month. Whet your appetite." This issue includes articles on the media; the trial of Inez Garcia; left politics in Portugal; William Kunstler on the trial of James Richardson; the poetry of Charles Caldwell; concert, music, film and book reviews.
Entelechy Press
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
December 1974
newspaper
University Review, 1972, no. 22
New Left
University Review was ;published was published by Entelechy Press in New York City. “Entelechy” is a term coined by Aristotle that has come to mean a force propelling one to self-fulfillment. This issue includes a special section on technology and revolution; poems by Marge Piercy; a profile of Sam Mellville by Jane Alpert; a reflection on the late-1960s by Stew Albert; a political review of A Clockwork Orange and Straw Dogs; a reflection by Gus Reichbach on doing legal work in Attica; an interview with Brigitte Bardot; and book reviews on Quebec, Chile and Henry Miller.
Entelechy Press
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1972
newspaper