1
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"United States 1967: High Tide of Black Resistance," by James Forman
Subject
The topic of the resource
Black Power
Description
An account of the resource
James Forman was an important leader in the black freedom movement, from the southern civil rights struggle in SNCC, to the Black Power movement with the Black Panther Party and League of Revolutionary Workers. In this essay, published by SDS, Forman provides a historical analysis of racial oppression against black people in the U.S. and the accelerating freedom struggle in 1967, particularly the growing spirit of resistance. This period of resistance, Forman wrote, was underscored by a new militant consciousness, an international perspective, urban rebellion, armed self-defense and radicalism. At the same time, he enumerates the rising backlash and government repression against the African American liberation struggle.
Creator
An entity primarily responsible for making the resource
SDS
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
Format
The file format, physical medium, or dimensions of the resource
pamphlet
Alggeria
Black Panther Party
Black Power
C.I.A.
Carl Stokes
Charlie Cobb
Cleveland Sellers
Detroit
H. Rap Brown
James Forman
Julius Lester
LBJ
liberation
New Left
Newark
radicalism
SDS
SNCC
Stokely Carmichael
Thurgood Marshall
Vietnam War
Watts
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Attica - Tip of the Iceberg
Subject
The topic of the resource
Prisoner's Rights Movement
Description
An account of the resource
This document explores the Attica Prison Uprising and links it to other race rebellions and massacres of the time period, including the war in Vietnam; the struggle against Apartheid in South Africa; police killings of students at Jackson State, Greensboro and Augusta, Georgia; and uprisings in Watts, Newark and Detroit. The artifact also includes a "Letter to the People of America"; a tribute to George Jackson by Angela Davis; "Demands for Albany National Action; a letter from Angela Davis to Ericka Huggins, profiles of three men in Attica during the uprising - Richard Clark, Herbert X. Blyden, and Sam Melville; a reprint of a New York Times article by Tom Wicker, "The Animals at Attica"; and a statement released by prisoners at Attica on 9/20/71.
Creator
An entity primarily responsible for making the resource
The Attica Liberation Faction
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. early-1970s
Format
The file format, physical medium, or dimensions of the resource
mimeograph
Type
The nature or genre of the resource
leaflet
Albany
Angela Davis
Apartheid
Attica Prison Riot
Augusta
Black Power
Detroit.
Ericka Huggins
George Jackson
Georgia
Greensboro
Herbert X. Blyden
Jackson State
Los Angeles
Michigan
Mississippi
Nelson Rockefeller
New Jersey
New York
New York Times
Newark
North Carolina
Prisoner's Rights Movement
Richard Clark
Sam Melville
South Africa
Tom Wicker
Vietnam War
Watts
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
FNL de Vietnam del Sur
Description
An account of the resource
According to a 2015 article in Slate Magazine by Rebecca Onion, this poster was one of a set created by Cuban artist Felix René Mederos Pazos, "the product of a trip Mederos took to Vietnam in 1969, on assignment from the Cuban government's Department of Revolutionary Orientation.
Cuban artists often addressed international subjects, in alignment with the Cuban Revolution's political focus. (Other posters produced around this time expressed solidarity with anti-colonial guerrillas in Angola, Black Panthers in Watts, California, and the people of Hiroshima, Japan.) These Mederos posters repeated the slogan 'Como en Vietnam,' which was meant to encourage Cubans to emulate the resourcefulness of the North Vietnamese in their daily lives." Roz Payne travelled to Cuban during the 1960s-era as a part of the Venceremos Brigade.
To read Onion's full article, click here: http://www.slate.com/blogs/the_vault/2015/05/01/history_of_cuba_and_vietnam_posters_by_rene_mederos.html
Creator
An entity primarily responsible for making the resource
Cuban artist Felix René Mederos Pazos
Source
A related resource from which the described resource is derived
Roz Payne
Date
A point or period of time associated with an event in the lifecycle of the resource
1969
Subject
The topic of the resource
Cuban Revolution
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
poster
Angola
anti-colonialism
Anti-War
arts
Black Panther Party
California
Cuba
Department of Revolutionary Orientation
Felix René Mederos Pazos
Hiroshima
Japan
SDS
solidarity
Venceremos Brigade
Vietnam War
Watts
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographs
Description
An account of the resource
Roz Payne was a photographer and took hundreds of images of activism during the Sixties. The images in this collection include more than 500 photographs of the protests outside the 1968 Democratic National Convention in Chicago. Other seminal events captured here include the 1967 anti-war demonstration at the Pentagon, the 1968 student take-over at Columbia University, the 1968 Huey Newton and Panther 21 trials, the Yippies and the Venceremos Brigade. Photos include famous Sixties figures, like Abbie Hoffman, Jerry Rubin, Eldridge Cleaver, H. Rap Brown, Bobby Seale, Kathleen Cleaver, Phil Ochs, Norman Mailer, A.J. Muste, Dick Gregory, Jean Genet, William Burroughs, Richard Daley, Mark Rudd, Dhoruba Bin Wahad and others. There are numerous other photos of lesser-known moments and activists, as well.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Watts Towers (4 images)
Subject
The topic of the resource
Counterculture
Description
An account of the resource
the Watts Towers, a series of interconnected sculptures created by Simon Rodia, an Italian immigrant construction worker and tile mason. When much of the area was destroyed during the Watts Rebellion in 1965, the towers were left unharmed. Many African Americans (and others) from the area, saw the towers as a source of community pride. The Charles Mingus Center (Mingus was raised in Watts) is part of a modern Arts Center built beside the Towers in 1970 in the wake of the 1965 rebellion. The Center has gallery space featuring African-American works, stages LA's oldest annual jazz festival and offers classes in painting, sculpture, music, dance and film animation to local youngsters, taught by professional artists.
Creator
An entity primarily responsible for making the resource
Roz Payne
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
California
Los Angeles
Watts
Watts Towers