1
50
5
-
https://rozsixties.unl.edu/files/original/eb9a527f1ec0f2b0a66caabc99e984fb.jpg
c12cb9e503d910ffb13950dbafdf2016
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yippie, Miami 1972
Subject
The topic of the resource
Counterculture and Anti-Vietnam War Movement
Description
An account of the resource
This poster promoted Yippie protests at the Democratic and Republican National Conventions in Miami Beach, Florida, in 1972, the last time both major parties held their presidential conventions in the same city. Notably, these protests also included a break-away group from the original Yippies, led by Tom Forcade and called the "Zippies," for "Zeitgeist International Party." Contingents at the demonstrations also included the Vietnam Veterans Against the War and a large group of women’s liberation activists.
At the Republican Convention, about 3,000 anti-war activists, many wearing painted death masks and some splattered with red paint, confronted delegates, chanting, cursing, jostling and pounding on cars. Protesters aimed to force well-dressed delegates to walk through a "gauntlet of shame" as they approached the guarded gates of the convention. Protesters yelled, “Murderers, murderers” and "delegates kill!" Some protesters also broke windows along the main thoroughfare in Miami Beach during the protests, resulting in 212 arrests. Black Panther Party leader, Bobby Seale, who had recently been released from four years in jail as a result of his participation in the 1968 demonstrations outside the Democratic Convention in Chicago, participated in the protests and at one point led demonstrators in chanting, “One, two, three, four. We don't want your f---ing war.” Daniel Ellsberg, who was facing criminal prosecution for releasing the Pentagon Papers, spoke to a more subdued crowd of anti-war demonstrators outside the convention center as Nixon was being nominated inside. Vietnam war veteran turned anti-war activist, Ron Kovic, also participated in the protests at the Republican National Convention.
The Democratic Convention also saw a variety of protests, inside the conventional hall and outside of it. Inside, previously excluded political activists clashed with traditional party leaders and activists in sessions that often extended late into the night. Outside, anti-war, black freedom, feminist, gay rights and other activists rallied and demonstrated. Anti-poverty advocates constructed "Resurrection City II," named after "Resurrection City," which had been constructed in Washington, D.C. in 1968 as a part of the Poor People's Campaign. "Gonzo" journalist, Hunter S. Thompson, chronicled the 1972 Democratic Convention in his book, Fear and Loathing on the Campaign Trail '72.
Creator
An entity primarily responsible for making the resource
Youth International Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1972
Format
The file format, physical medium, or dimensions of the resource
poster
1972 Democratic Convention
1972 election
1972 Republican Convention
Anti-War
Black Panther Party
Bobby Seale
counterculture
Daniel Ellsberg
demonstration
electoral politics
feminism
Florida
gay liberatiom
George McGovern
Hunter S. Thompson
Miami Beach
Poor People's Campaign
Resurrection City
Richard Nixon
Ron Kovic
Tom Forcade
Vietnam Veterans Against the War
Vietnam War
Women's Liberation
Yippies
Youth International Party
Zeitgeist International Party
Zippies
-
https://rozsixties.unl.edu/files/original/8fee8018ea5542b160b9ce44abec6247.jpg
ba56ac5d069b69924e2cd89e05e43851
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I Support Viet Nam Veterans Against the War
Description
An account of the resource
Vietnam Veterans Against the War was an anti-war organization founded in 1967 by U.S. military veterans. According to the organizational website for VVAW, the group was created in New York City “after six Vietnam vets marched together in a peace demonstration. It was organized to voice the growing opposition among returning servicemen and women to the still-raging war in Indochina, and grew rapidly to a membership of over 30,000 throughout the United States as well as active duty GIs stationed in Vietnam. Through ongoing actions and grassroots organization, VVAW exposed the ugly truth about US involvement in Southeast Asia and our first-hand experiences helped many other Americans to see the unjust nature of that war." In the 1970s, VVAW began “the first rap groups to deal with traumatic after-effects of war,” “exposed the shameful neglect of many disabled vets in VA Hospitals,” “helped draft legislation to improve educational benefits and create job programs,” “fought for amnesty for war resisters, including vets with bad discharges,” and “helped make known the negative health effects of exposure to chemical defoliants.”
VVAW members engaged in a number of significant actions during the long-1960s, including Operation RAW (“Rapid American Withdrawal”), the Winter Soldier Investigation, the Dewey Canyon III protests, the Walter Reed Memorial Service, Operation POW and a 1971 occupation of the Statue of Liberty.
Creator
An entity primarily responsible for making the resource
Vietnam Veterans Against the War
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Anti-Vietnam War Movement
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
Agent Orange
Anti-War
Operation POW
Operation RAW
Statue of Liberty
the Dewey Canyon III protests
the Walter Reed Memorial Service
Vietnam Veterans Against the War
Vietnam War
VVAW
Winter Soldier Investigation
-
https://rozsixties.unl.edu/files/original/12025fccd9c8c3e18841c3145e1399ff.jpg
910b4273404e2c1666a4664e2424deb0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I Support Vietnam Veterans Against the War
Description
An account of the resource
Vietnam Veterans Against the War was an anti-war organization founded in 1967 by U.S. military veterans. According to the organizational website for VVAW, the group was created in New York City “after six Vietnam vets marched together in a peace demonstration. It was organized to voice the growing opposition among returning servicemen and women to the still-raging war in Indochina, and grew rapidly to a membership of over 30,000 throughout the United States as well as active duty GIs stationed in Vietnam. Through ongoing actions and grassroots organization, VVAW exposed the ugly truth about US involvement in Southeast Asia and our first-hand experiences helped many other Americans to see the unjust nature of that war." In the 1970s, VVAW began “the first rap groups to deal with traumatic after-effects of war,” “exposed the shameful neglect of many disabled vets in VA Hospitals,” “helped draft legislation to improve educational benefits and create job programs,” “fought for amnesty for war resisters, including vets with bad discharges,” and “helped make known the negative health effects of exposure to chemical defoliants.”
VVAW members engaged in a number of significant actions during the long-1960s, including Operation RAW (“Rapid American Withdrawal”), the Winter Soldier Investigation, the Dewey Canyon III protests, the Walter Reed Memorial Service, Operation POW and a 1971 occupation of the Statue of Liberty.
Creator
An entity primarily responsible for making the resource
Vietnam Veterans Against the War
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Anti-War Movement
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s or early-1970s
Anti-War
demonstration
Dewey Canyon III
New York
Operation POW
Operation RAW
Statue of Liberty
Vietnam Veterans Against the War
Vietnam War
Walter Reed Memorial Service
Winter Soldier Investigation
-
https://rozsixties.unl.edu/files/original/19c7b56ef6330cff089711f2902116de.jpg
2b5ef96632071b25eec840513bb9b08a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ten Days to Change the World
Subject
The topic of the resource
Yippies/Counterculture
Description
An account of the resource
This poster promoted Yippie protests at the Democratic and Republican National Conventions in Miami Beach, Florida, in 1972, the last time both major parties held their presidential conventions in the same city. Notably, these protests also included a break-away group from the original Yippies, led by Tom Forcade and called the "Zippies," for "Zeitgeist International Party." Contingents at the demonstrations also included the Vietnam Veterans Against the War and a large group of women’s liberation activists.
At the Republican Convention, about 3,000 anti-war activists, many wearing painted death masks and some splattered with red paint, confronted delegates, chanting, cursing, jostling and pounding on cars. Protesters aimed to force well-dressed delegates to walk through a "gauntlet of shame" as they approached the guarded gates of the convention. Protesters yelled, “Murderers, murderers” and "delegates kill!" Some protesters also broke windows along the main thoroughfare in Miami Beach during the protests, resulting in 212 arrests. Black Panther Party leader, Bobby Seale, who had recently been released from four years in jail as a result of his participation in the 1968 demonstrations outside the Democratic Convention in Chicago, participated in the protests and at one point led demonstrators in chanting, “One, two, three, four. We don't want your f---ing war.” Daniel Ellsberg, who was facing criminal prosecution for releasing the Pentagon Papers, spoke to a more subdued crowd of anti-war demonstrators outside the convention center as Nixon was being nominated inside. Vietnam war veteran turned anti-war activist, Ron Kovic, also participated in the protests at the Republican National Convention.
The Democratic Convention also saw a variety of protests, inside the conventional hall and outside of it. Inside, previously excluded political activists clashed with traditional party leaders and activists in sessions that often extended late into the night. Outside, anti-war, black freedom, feminist, gay rights and other activists rallied and demonstrated. Anti-poverty advocates constructed "Resurrection City II," named after "Resurrection City," which had been constructed in Washington, D.C. in 1968 as a part of the Poor People's Campaign. "Gonzo" journalist, Hunter S. Thompson, chronicled the 1972 Democratic Convention in his book, Fear and Loathing on the Campaign Trail '72.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1972
Format
The file format, physical medium, or dimensions of the resource
poster
1972 Democratic Convention
1972 election
1972 Republican Convention
Anti-War
Black Panther Party
Black Power
Bobby Seale
counterculture
Daniel Ellsberg
electoral politics
feminism
Florida
Gay Liberation
George McGovern
Hunter S. Thompson
Miami Beach
New Left
Poor People's Campaign
Resurrection City
Resurrection City II
Richard Nixon
Ron Kovic
Tom Forcade
Vietnam Veterans Against the War
Vietnam War
Women's Liberation
Yippies
Youth International Party
Zeitgeist International Party
Zippies
-
https://rozsixties.unl.edu/files/original/35befce3438e115e009505a23caea1f9.jpg
22678bb59a9a4c098405aaba1f52e49e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint Treaty of peace Between the People of the United States and the People of South Vietnam and North Vietnam
Subject
The topic of the resource
Anti-Vietnam War Movement
Description
An account of the resource
The “Joint Treaty of Peace Between the People of the United States and the People of South Vietnam and North Vietnam” was developed by representatives of student peace organizations from the U.S. and Vietnam in December 1970. That month, a delegation sponsored by the National Student Association flew to Paris and then attempted to fly to Saigon to meet with students, but were turned away. In Hanoi, they met with student representatives from South
Vietnam and North Vietnam. The participants in the meetings hoped to foster peace by detailing key principles that all parties in the conflict could agree on. The treaty was endorsed by a number of politicians and celebrities, including Eugene J. McCarthy, Daniel Berrigan, Phillip Berrigan, Noam Chomsky, Charles E. Goodell, I. F. Stone, George Wald, Erich Segal, Rock Hudson, Vietnam Veterans Against the War, the New University Conference and others.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
December 1970
Format
The file format, physical medium, or dimensions of the resource
poster
Anti-War
Charles E. Goodell
Daniel Berrigan
Erich Segal
Eugene J. McCarthy
France
George Wald
Hanoi
I. F. Stone
National Student Association
Noam Chomsky
North Vietnam
Paris
People's Peace Treaty
Phillip Berrigan
Rock Hudson
Saigon
South Vietnam
the New University Conference
Vietnam Veterans Against the War
Vietnam War