LBJ Yelling in 1960
1960 Election
This poster features a 1960 photo by Richard Pipes, a photographer for the Amarillo Globe-News, of then Vice-Presidential candidate, Lyndon B. Johnson, yelling at the pilots of a nearby airplane to shut off their engines so that Democratic Presidential candidate, John F. Kennedy, could speak. According to the U.S. Senate website, “In the fall, Johnson campaigned intensely, conducting a memorable train ride through the South. He also pressed for a joint appearance of the Democratic candidates somewhere in Texas. They arranged the meeting at the airport in Amarillo, where campaign advance men stopped all air traffic during the brief ceremonies so that the candidates could address the crowd. But they had not counted on the Republican-leaning airline pilots, who deliberately ran the engines of their planes in order to drown out the speakers. At the close of the ruined appearance, a photographer snapped a concerned Kennedy placing his hand on Johnson's shoulder, trying to calm his angry, gesticulating running mate.” Kennedy poked fun at the noise during his speech, quipping, "That is Dick coming in." (Richard Nixon was also campaigning in Texas that day) and "They can’t stop the truth anyway. I don’t care how much that engine warms up."
Richard Pipes, photographer
unknown
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
unknown
poster
LBJ Hat
Electoral Politics
In the shape of a cowboy hat representative of his native Texas, this button commemorates Lyndon B. Johnson’s 1964 presidential campaign.
unknown
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. 1964
Button
Physical Object
The Black Political Prisoner #1
Prisoner's Rights Movement and Black Power
Published by black GI’s stationed at Fort Sam Houston, Texas, this booklet presents the opinions of drafted black soldiers on the systemic inequality in the U.S. political system. Consisting of seven pieces by black soldiers, themes underlined in the essays include Black Consciousness, Cold War politics and U.S. race relations, and imperialism.
Black G.I.'s
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. early-1970s
underground press
The Black Panther, October 16, 1971
Black Power
Articles in this issue of The Black Panther, include: prison riots in Joliet, Illinois, Baltimore, Maryland, Alderson, West Virginia, New Orleans, Louisiana, Dallas, Texas, San Quentin, California and Winston-Salem, North Carolina and Attica, New York; the murder of Clarence Johnson; a boycott of Bill Boyette’s Liquor Store; extensive coverage of Huey Newton’s trip to China; an advertisement for a peoples tribunal aimed to indict New York Governor Nelson Rockefeller and President Richard Nixon; criminal justice in Winston-Salem; a memorial poem devoted to fallen Panther George Jackson, who was shot during a prison escape attempt in San Quentin, California; and, artwork by Emory Douglas.
The Black Panther Intercommunal News Service
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
October 16, 1971
underground press
The Black Panther, October 10, 1970
Black Power
Printed on October 10, 1970, this issue of The Black Panther is filled with various articles from other Black Panther Party chapters across the U.S., one particular article from the Philadelphia chapter compares police brutality in Philadelphia to the 1968 My Lai Massacre that took place during the Vietnam War. Another article from the Baltimore chapter highlights terrible conditions in the South Baltimore community due to episodes of police brutality and poor housing conditions. In Boston, the Panthers write about the right to free public school but are denied the right to walk freely to and from Curley School. The Bay Area National Lawyers Guild includes a "Guide to Know Your Rights" that outlines an individuals rights when stopped by law enforcement officials. Also included in this issue are articles about police repression in several cities; the case of Willie Turner, Jr; the Winston-Salem N.C.C.F.; General Motors; capitalism and dope; welfare system; Neo-colonialism and genocide; the trials of Bobby Seale and Ericka Huggins; a youth conference; a Boston bank robbery; a letter from the "Soledad 7" thanking the Black Panther Party for their support; international news shorts; and, art by Emory Douglas.
The Black Panther Intercommunal News Service
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
October 10, 1970
underground press
RAT Subterranean News, February 6-23, 1970
New Left
RAT Subterranean News was published in New York, starting in March of 1968 and was edited by Jeff Shero, Alice Embree and Gary Thiher, who had come North from Austin, Texas, where they worked on The Rag, another important underground paper. Whereas the East Village Other represented the counterculture point of view, RAT had a left political orientation. In early 1970, women’s liberation activists took over RAT and turned it into a women-only periodical to challenge sexism within the New Left. This issue is the first after the take-over of RAT and covers a wide range of topics, including Afeni Shakur and the Panther 21; letters to the editor; women’s take-over of RAT; feminist critique of the New Left; the ambush of New York police in Harlem; the emergence of strong women leadership in the Weather Underground; Kathleen Cleaver in Algeria; sabotage; theft and activism; Boston students protesting a lecture by S.I. Hayakawa; Berkeley women take-over of karate class; a Gay Liberation Front protest at a San Francisco radio station; gas masks; women challenging doctors on abortion; sex and sexism; “Are Men Really the Enemy?” exam; John Sinclair release from prison; Palestinian women and armed struggle in Jordan; obscenity trial against Che; women in China; a Stockton, California, housewives strike; poetry; film review of “Prologue…”
R.A.T. Publications, Inc
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
February 6-23, 1970
underground press
RAT Subterranean News, June 5-19, 1970
New Left
RAT Subterranean News was published in New York, starting in March of 1968 and was edited by Jeff Shero, Alice Embree and Gary Thiher, who had come North from Austin, Texas, where they worked on The Rag, another important underground paper. Whereas the East Village Other represented the counterculture point of view, RAT had a left political orientation. This issue covers a wide range of topics, including reflections on Vietnam; a Weather Underground communiqué; women’s oppression in Puerto Rican culture; an interview with FBI informant George Demmerle; organizational structure and principles of The Feminists; brief reports from Ceylon and France; a review of the case of Sam Melville, Jane Alpert and Dave Hughey; a Sylvia Plath poem, “The Jailer”; gynecology and sexism; labor politics in Argentina; feminism and the media; report from the Conference for Women event, titled, “Liberation – from What?”; political prisoners; city planning on the Lower East Side of New York; Dionne Donghi; American Indian Movement seizure of B.I.A. land; Panther 21 trial; ads and personals; poetry.
RAT Subterranean News
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
June 5-19, 1970
underground press
RAT Subterranean News, May 22-June 4, 1970
New Left
RAT Subterranean News was published in New York, starting in March of 1968 and was edited by Jeff Shero, Alice Embree and Gary Thiher, who had come North from Austin, Texas, where they worked on The Rag, another important underground paper. Whereas the East Village Other represented the counterculture point of view, RAT had a left political orientation. This issue covers a wide range of topics, including media and revolution; Joan Bird and Dionne Donghi; a labor walk-out at Bell Telephone in New York; the police killing of six black men in Augusta, Georgia; police killing of two students at Jackson State; street-fighting between Puerto Rican youths and police on the Lower East Side; poetry; the role of women in the labor movement; brief reports on anti-colonial struggles in Portuguese’s African colonies; corporate repression of indigenous people in Brazil; 9 days of global activism in May; revolutionary feminism; squatting; “The Woman-Identified Woman”; How to…; emergency first aid for street warfare; ads and personals; repression against marijuana advocates; letters to the editor.
RAT Subterranean News
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
May 22-June 4, 1970
underground press
The Military Left, vol. 3, no. 1
G.I. Anti-War Movement
The Military Left was one of more than 130 underground newspapers published on U.S. military bases across the world during the Vietnam era. The papers were usually published anonymously and gave servicemen and women an opportunity to express their opposition to the war in Vietnam, or the military system, more broadly. Those who wrote or distributed these alternative G.I. press newspapers were often subjected to harsh punishment from military brass, if found out. The Military Left was published from 1969 through 1973 by G.I.’s at Fort Sam Houston in San Antonio, Texas. Under the masthead, editors included the text of a military regulation that stated, “All G.I.’s have the right to receive any written matter they desire in the mail, and have the right to keep any books, newspapers or pamphlets they want” and promised, “They lie. We won’t.” In this issue, articles explore G.I. rights; repression against activist service-members; “Lifer of the Month” column; conscientious objector status; a history of amnesty; comix; song lyrics; Arlo Guthrie quote.
The Military Left
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. late-1969
underground press
Fatigue Press, no. 33, September 1971
G.I. Anti-War Movement
Fatigue Press was one of a number of underground newspapers created by G.I.’s for G.I.’s during the Vietnam War. Fatigue Press was created by soldiers at Fort Hood in Killeen, Texas, and published from 1968 to 1972. Articles in this issue address summary court martials; wage-freeze; Ft. Hood United Front policy; pollution; torture of children in jails; prostitution at Fort Hood; war bonds; poetry; the murder of George Jackson; Laos air war; lettuce boycott; Nixon's trip to China; the arrest of a staff member; U.S. control of Puerto Rico; Fort Hood United Front platform.
Fatigue Press
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
September 1971
underground press
RAT Subterranean News, issue 15, October 29-November 18, 1970
New Left
RAT Subterranean News was published in New York, starting in March of 1968 and was edited by Jeff Shero, Alice Embree and Gary Thiher, who had come North from Austin, Texas, where they worked on The Rag, another important underground paper. Whereas the East Village Other represented the counterculture point of view, RAT had a left political orientation. This issue covers a wide range of topics, including baking bread; a critique of the Weather Underground; Angela Davis; George Jackson; Quebec independence; working-class white women; American "concentration camps"; abortion; welfare rights; the Young Lords; the West Side Women's Center; a report from Asia; Black Power poetry.
RAT Subterranean News
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
October 29-November 18, 1970
underground press
New Left Notes, vol. 1, no. 38, October 7, 1966
New Left
New Left Notes was the official newspaper published by the Students for a Democratic Society (SDS). This issue includes articles about student boredom; peace mobilization University Circle Teach-In Committee; SDS and communists; internal democracy; attack on four SDS members in Lexington; Fort Hood 3; bombing of Socialist Workers Party headquarters in New York; letters to the editor.
Students for a Democratic Society
Bruce Pech
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
October 7, 1966
underground press
SDS National Conference in Austin (17 images)
New Left
Like many campuses, the University of Texas at Austin saw an increase in student activism and protest during the mid- and late-1960s. The student Free Speech Movement, anti-war activism, African American and Latino student protest, women’s liberation organizing and the counterculture were all present. White New Left activism was particularly significant, with UT being an important site of what came to be known as “Prairie Power,” a faction within Students for a Democratic Society that was critical of the national office and advocated a more decentralized structure for the organization and a greater emphasis on campus organizing and the war in Vietnam. Jeff Shero, Thorne Dreyer, Carol Neiman, Gary Thiher, Alice Embree, Grace Cleaver, Robert Pardun, Larry Jackson and Greg Calvert were all notable Texas New Left activists. Austin was also home of The Rag, which author John McMillian called “a spirited, quirky, and humorous paper, whose founders pushed the New Left's political agenda even as they embraced the counterculture's zeal for rock music, psychedelics, and personal liberation.” Former Rag staffer, Alice Embree, remembered, "The Rag covered what was not covered by the 'straight' press. The writers participated in the political and cultural uprising and also wrote about it. And they told you where to get a chicken dinner for 35 cents." White student activists at UT were increasingly working with black and Latino activists, enlisted military soldiers at Fort Hood and the local labor movement. According to historian, Beverly Burr, student activists, “tied many issues together in a comprehensive critique of the American government, the economic system and socialization.”
Between 1967 and 1969, the relationship between student activists and the university administration became increasingly contentious. In May of 1967, six student activists were censured for their role in an anti-war protest that disrupted a visit by Vice-President Hubert Humphrey. The following year, the administration fired, Professor Larry Caroline, who served as the faculty adviser for SDS, after he told a group of anti-war protesters that only revolution would bring a solution to racism and militarism in the U.S. Caroline had also led a successful effort to integrate the faculty lounge, supported African American activist and graduate student, Larry Jackson, and pushed for other structural reforms at the university that rankled not only administrators, but also some of his fellow faculty members. These conflicts raised a variety of issues related to free speech and academic freedom. At the same time, African American and Latino students demanded a series of reforms, including the creation of Black Studies and Chicano Studies programs. Countering the rising tide of student militancy, the state legislature and university Board of Regents passed new “disruptive activities” bills in early 1969, hoping to head off upcoming protests by black, Chicano and anti-war campus activists. Beverly Burr explained, “The bill basically prohibits pickets, strikes, sit-ins, and anything the university deems ‘disruptive to administrative, educational or other authorized activity.’” The Regents also refused a request by SDS to hold their national convention at the Student Union, announcing "we are not about to let the university be used by subversives and revolutionaries." A March 1969 article in The Rag quoted President, Norman Hackerman, claiming SDS’s "intention of destroying the American educational system" and a lack of meaningful educational purpose for the decision by the Board of Regents. Following legal wrangling, the SDS National Convention ultimately took place at the Catholic Student Center and was attended by more than 800 activists. Beyond the conflict with university officials, the 1969 SDS gathering was notable for the growing factionalization within the group. Burr wrote, “A ten-point proposal for the liberation of schools was passed which called for among others: an end to the tracking system, an end to flunkouts and disciplinary expulsions, a new teaching of history in such a way as to truly expose the injustice of 'this racist, capitalist society' and support for the Black Panthers.”
Roz Payne
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1969
No More Bullshit
Electoral Politics
In 1969, at the prompting of feminist leader, Gloria Steinam, author, cultural critic and activist, Norman Mailer, made an outsider bid for mayor of New York City. His campaign ran as a ticket with Jimmy Breslin, the raucous New York Daily News journalist who was seeking to become the President of the New York City Council. At the time, New York was facing a growing list of problems, including rising crime rates, increasing poverty and deindustrialization, middle-class suburban flight, congestion, pollution and political stagnation. In response, Mailer, whose campaign slogans were “No More Bullshit” and “Throw the Rascals In,” set out an outlandishly bold set of initiatives. His primary proposal was the “51st State” plan, a scheme whereby the five boroughs of New York would secede from the rest of the state in a bid to secure more independence, greater political representation, resources and power. Once independent, Mailer envisioned a radically decentralized political order with the city “splintering into townships and neighborhoods, with their own school systems, police departments, housing programs, and governing philosophies." In addition, he advocated a ban on private cars in Manhattan, replacing them with cabs and a monorail system that would circle the island; a citywide free bicycle rental program; and policies that would eliminate pollution, reduce taxes, and establish full autonomy for public schools. According to campaign literature, at the collegiate level, the campaign promoted “vest-pocket campuses built by students in abandoned buildings” that would restore “a sense of personal involvement that is lost in the large university campuses.” In perhaps his most utopian proposal, Mailer urged the creation of “Sweet Sundays,” which would mandate, once a month, that all mechanical transportation stop and elevators close down so that New Yorkers could decompress from their hectic urban lives and avoid breathing exhaust fumes.
Campaign events were often chaotic. At one, Mailer quipped, "The difference between me and the other candidates is that I'm no good and I can prove it." At another, he called his own supporters “spoiled pigs.” After learning that bars would be closed on election day, Jimmy Breslin complained, “I am mortified to have taken part in a process that required bars to be closed.”
Many New Left activists and libertarians supported the Mailer-Breslin ticket. The Black Panther Party also endorsed the duo after they backed the release of Panther leader, Huey Newton. To some, the campaign was a lark, to other a serious challenge to the established order, and to others an outright offense.
In the end, Mailer finished in fourth place during the Democratic mayoral primary, edging out state Assemblyman, Charles B. Rangel, who would go on to be elected to Congress in 1970 and remain in office until 2017. Even in defeat, though, Mailer’s campaign was seen by many leftists and libertarians as an important attempt to move from the realm of ideas into programmatic politics.
________________
Norman Mailer first gained fame in 1948 with the publication of his now-classic war novel, The Naked and the Dead, which was based in part on his own WWII experiences. In 1955, he was a part of a small group that established The Village Voice, an influential alternative newspaper located in Greenwich Village, which continued publication until 2018. Also an influential essayist, Mailer published “The White Negro” in Dissent in 1957, a controversial analysis of the “hipster” in post-war American culture.
Mailer became a ubiquitous cultural figure in the 1960s. In 1960, he published "Superman Comes to the Supermarket," an essay in Esquire on the rise of John F. Kennedy at the Democratic National Convention. He continued to see JFK as an “existential hero” for a new era. That same year, Mailer was convicted of assault for the stabbing of his wife, Adele, and served three years of probation. Mailer was also one of 29 prominent Americans who co-founded the Fair Play for Cuba Committee, which opposed the hardline anti-Castro stance of U.S. politicians and military leaders during the early-1960s. The group achieved widespread infamy in 1963, when it became public news that Kennedy assassin, Lee Harvey Oswald, was a member. In 1967, Mailer made a mark with the best-selling political book, Why Are We in Vietnam? and played an ongoing role in the anti-war movement, including signing the 1968 “Writers and Editors War Tax Protest,” a pledge to withhold tax payments to the U.S. government as opposition to the U.S. war in Vietnam. Again that year, Mailer covered the turbulent Democratic and Republican National Conventions, work that he later published as, Miami and the Siege of Chicago (1968). In that book, Mailer portrays American politics cynically as a crass and self-interested exchange of political power. Reflecting back later on the party politics of the 1960s-era, Mailer wrote, "If you played for a team, you did your best to play very well, but there was something obscene… with starting to think there was more moral worth to Michigan than Ohio State." To Mailer, there was little difference between the disgraced Richard Nixon who left the White House after the Watergate scandal and Lyndon Johnson, whose liberal Great Society was derailed by the failed Vietnam war. Along with Truman Capote, Joan Didion, Tom Wolfe and Hunter S. Thompson, Mailer is also seen as a pioneer in what came to be known as the “New Journalism,” a form of creative nonfiction that used some of the style and devices of literary fiction to write fact-based journalism. His most significant work in this vein was Armies of the Night (1968), a nonfiction novel about the October 1967 March on the Pentagon. The book won both the Pulitzer Prize and National Book Award. Mailer also wrote books about the Apollo 11 mission to the moon, a response to criticisms of him and other male authors by feminist author, Kate Millett, and an account of the 1974 “Rumble in the Jungle,” the heavyweight championship fight between Muhammad Ali and George Forman in Zaire.
In 1979, Mailer published The Executioner’s Song, for which he won his second Pulitzer Prize. The “true crime” novel focuses on the execution of Utah murderer, Gary Gilmore. His final novel, Harlot’s Ghost, published in 1991, explored the hidden history of the CIA from the end of WWII through the mid-1960s. Mailer, who also wrote drama and screenplays for films, died in 2007.
_____________________
Jimmy Breslin was an outspoken journalist and novelist who was known as a tough-talking representative of working-class residents in his hometown, Queens, New York. In 1962, Breslin wrote a best-selling book on the New York Mets baseball team, Can’t Anybody Here Play This Game? In 1963, he was covering southern civil rights activism in Selma, Alabama, when President John F. Kennedy was assassinated in Dallas, Texas. While other journalists wrote stories about the fallen president, Breslin secured an interview with Malcolm Perry, the Parkland Hospital doctor who had tried to save him. He followed that up with a powerful column about Clifton Pollard, the man who dug Kennedy’s grave. As journalist David Shedden later wrote, “It’s a plainly told story -- no breathtaking sentences here -- but the style is effective in its Hemingway-esque directness. Breslin moves from the gravedigger’s perspective, to a more omniscient view of the funeral, back to the worker. We like the passage about Jackie Kennedy, its moving description of her particular, telling gestures. But the piece’s central power lies in Breslin’s juxtaposition of the cemetery workers, the small details of the scene’s sounds and sights, with the enormity of the event." From there, Breslin secured positions as a columnist for a succession of New York newspapers, gaining a reputation as a staunch opponent of corruption and injustice. Like Mailer, Breslin was seen as a pioneer of the New Journalism movement and often mixed his own experience with his journalistic reportage of political events. In 1969, he published the true-crime book, The Gang That Couldn’t Shoot Straight, about mobster “Crazy Joe” Gallo and his band of bungling baddies. The book was made into a film in 1971.
Breslin continued to be an influential writer until his death in 2017. In 1973, he wrote another novel, World Without End, Amen. In 1977, Breslin again gained notoriety for a series of compelling articles on the infamous “Son of Sam” serial killer, David Berkowitz. In response to those essays and in the midst of his killing spree, Berkowitz wrote to Breslin: “Hello from the cracks in the sidewalks of N.Y.C. and from the ants that dwell in these cracks and feed on the dried blood of the dead that has settled into the cracks.” The murderer continued, “J.B., I’m just dropping you a line to let you know that I appreciate your interest in those recent and horrendous .44 killings. I also want to tell you that I read your column daily and find it quite informative.” In 1978, Breslin received a sizable advance to co-write a book about the Son of Sam murders with Dick Schaap, titled, .44. Many viewed the book as exploitative and in poor taste so soon after the traumatic events. In 1986, Breslin won a Pulitzer Prize, in part for his writing about the AIDS epidemic in New York City, as well his broader work championing the causes of ordinary people. In later decades, he published a memoir, I Want to Thank My Brain for Remembering Me (1996), as well as a non-fiction account of a Mexican construction worker in New York who was killed on site when a building collapsed, The Short Sweet Dream of Eduardo Gutiérrez (2002), and a final book about the mafia, titled, The Good Rat (2008). Los Angeles Times columnist Jack Smith described Breslin, "like an Irish wind that has blown through Queens and Harlem and Mutchie's bar. It is a pound of Hemingway and a pound of Joyce and 240 pounds of Breslin." Following his death in 2017, Tom Wolfe called him, “incredible, the greatest newspaper columnist of my era.”
unknown
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1969
button
Viva La Huelga (1 image)
Farm Workers Movement
An image of two Mexican-American children in Edinburg, Texas, resting on a car with a United Farm Workers bumper sticker.
Roz Payne
Roz Payne
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
ca. late-1960s or early-1970s
Peoples War
Anti-Vietnam War Movement
"In the summer of 1969, Newsreel went to North Vietnam. From that trip came PEOPLES' WAR. This film moves beyond the perception of the North Vietnamese as victims to a portrait of how the North Vietnamese society is organized. It shows the relationship of the people to their government -- how local tasks of a village are coordinated and its needs met. It deals with the reality of a nation that has been at war for twenty-five years, that is not only resisting US aggression and keeping alive under bombing, but that is also struggling to raise its standard of living and to overcome the underdevelopment of centuries of colonial rule. Amid much publicity, the footage was confiscated upon its return to the US. Despite this attempt at suppression, PEOPLES WAR has become one of the most sought-after films on Vietnam. Blue ribbon at U.S.A. film festival in Houston, Texas, and the Golden Bear Award, Moscow, USSR." (Roz Payne Archive) <iframe width="640" height="480" src="https://player.vimeo.com/video/75364308" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe>
<p><a href="https://vimeo.com/75364308">Newsreel's PEOPLES WAR - 16mm - 1969 - 40 minutes</a> from <a href="https://vimeo.com/user2384966">john douglas</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
Newsreel Films
Vimeo
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1969
film
Summer '68
Anti-Vietnam War Movement
"Draft resistance organizing in Boston, a Boston organizer's trip to North Vietnam -- a G.I. coffeehouse in Texas, Newsreel's take over of Channel 13 in New York -- following the production of the Rat's special issue on Chicago -- and Chicago during the Democratic Convention, the planning and carriage out of five days of protest. Each section focuses on an organizer central to each project -- the attempt is to define the nature of commitment to "the Movement" against a backdrop of 1968's summer activities." (Roz Payne Archive) <iframe width="640" height="470" src="https://player.vimeo.com/video/112328836" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe>
<p><a href="https://vimeo.com/112328836">SUMMER'68 - Newsreel</a> from <a href="https://vimeo.com/user2384966">john douglas</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
Newsreel Films
Vimeo
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
1968
film