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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographs
Description
An account of the resource
Roz Payne was a photographer and took hundreds of images of activism during the Sixties. The images in this collection include more than 500 photographs of the protests outside the 1968 Democratic National Convention in Chicago. Other seminal events captured here include the 1967 anti-war demonstration at the Pentagon, the 1968 student take-over at Columbia University, the 1968 Huey Newton and Panther 21 trials, the Yippies and the Venceremos Brigade. Photos include famous Sixties figures, like Abbie Hoffman, Jerry Rubin, Eldridge Cleaver, H. Rap Brown, Bobby Seale, Kathleen Cleaver, Phil Ochs, Norman Mailer, A.J. Muste, Dick Gregory, Jean Genet, William Burroughs, Richard Daley, Mark Rudd, Dhoruba Bin Wahad and others. There are numerous other photos of lesser-known moments and activists, as well.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New York City Yippie Protest (34 images)
Subject
The topic of the resource
Anti-Vietnam War Movement
Description
An account of the resource
These photos show Yippie activists, including Abbie Hoffman, protesting in New York City. The images, most of which were taken on Sixth Avenue between 8th Street and Waverly, appear to be circa 1968, as one of the signs reads, "Don't waste your vote - put a pig in the White House" and the flyers feature a pig dressed as Uncle Sam. In 1968, Yippie activists nominated a pig, "Pigasus," as the Democratic nominee for president during their protest in Chicago. A few of the photos also show Roz Payne laying on a rock in Central Park.
Creator
An entity primarily responsible for making the resource
Roz Payne
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1968
1968 election
Abbie Hoffman
Central Park
Pigasus
protest
Roz Payne
Yippies
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographs
Description
An account of the resource
Roz Payne was a photographer and took hundreds of images of activism during the Sixties. The images in this collection include more than 500 photographs of the protests outside the 1968 Democratic National Convention in Chicago. Other seminal events captured here include the 1967 anti-war demonstration at the Pentagon, the 1968 student take-over at Columbia University, the 1968 Huey Newton and Panther 21 trials, the Yippies and the Venceremos Brigade. Photos include famous Sixties figures, like Abbie Hoffman, Jerry Rubin, Eldridge Cleaver, H. Rap Brown, Bobby Seale, Kathleen Cleaver, Phil Ochs, Norman Mailer, A.J. Muste, Dick Gregory, Jean Genet, William Burroughs, Richard Daley, Mark Rudd, Dhoruba Bin Wahad and others. There are numerous other photos of lesser-known moments and activists, as well.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
photographs
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chicago '68 Photos (541 images)
Subject
The topic of the resource
Chicago Democratic National Convention Demonstrations
Description
An account of the resource
Roz Payne took the more than 500 photos during the 1968 Chicago Democratic National Convention. The protests degenerated into a police riot when Democratic mayor and party stalwart, Richard Daley, ordered an estimated 23,000 riot-clad police officers to attack roughly 10,000 demonstrators in and near Grant Park. The chaos outside of the convention hall, which was broadcast across the country and around the world, took place against the backdrop of growing public opposition to America’s War in Vietnam, the blossoming of the anti-war movement, increasing disillusionment with the Democratic Party and what many viewed as the slow rate of meaningful social change, as well as the shocking assassinations of Dr. Martin Luther King, Jr., and Senator Robert F. Kennedy, earlier that year. The tumultuous convention resulted in the nomination of Hubert H. Humphrey and Edmund S. Muskie as his running-mate. Republican standard-bearer, Richard Nixon, won the fall election, capping one of the more unlikely political comebacks in recent U.S. history.
Images in this collection show a variety of protests, Abbie Hoffman, Phil Ochs, Norman Mailer, Allen Ginsberg, William Burroughs, Jean Genet, Dick Gregory, Jerry Rubin, Pigasus, MC5, among others.
Creator
An entity primarily responsible for making the resource
Roz Payne
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
August 1968
1968 election
Abbie Hoffman
Allen Ginsberg
Chicago '68
Conrad Hilton
Democratic Party
demonstration
Dick Gregory
Grant Park
Jean Genet
Jerry Rubin
New Left
Norman Mailer
Phil Ochs
Pigasus
police repression
protest
Richard Daley
William Burroughs
Yippies
-
https://rozsixties.unl.edu/files/original/e26c5d78e9231634b15ead21f93f7375.jpg
b515ad02a49cc55fe4371c16e3094a79
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Pigasus"
Description
An account of the resource
At the Democratic National Convention in Chicago in August 1968, as a part of the broader protest against the Democratic Party and the War in Vietnam, the Youth International Party, or Yippies, satirically nominated a pig - "Pigasus" - for U.S. president. Abbie Hoffman, Jerry Rubin, Dennis Dalrymple and other Yippie pranksters argued, with tongues firmly planted in cheeks, that Pigasus could "really bring home the pork" and "if we can't have him in the White House, we can have him for breakfast." The 1968 stunt typified the Yippies' absurdist, theatrical approach to protest, as well as their mix of New Left politics and counterculturalism.
The image and rhetoric of the "pig" was popular among a range of New Left radicals during the late-1960s and into the 1970s to signify illegitimate, repressive and militaristic state authority, particularly police forces and government officials. The Black Panther Party, Students for a Democratic Society, Yippies and other counterculturists are most well-known for their use of the "pig" caricature, though the image and rhetoric of the "pig" was widely employed across the New Left and counterculture during this period.
Here, the image of the pig serves as a humorous theatrical tool to critique the contemporary state of U.S. politics.
Creator
An entity primarily responsible for making the resource
Youth International Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
New Left
Date
A point or period of time associated with an event in the lifecycle of the resource
1968
1968 election
Abbie Hoffman
Black Panther Party
Chicago '68
counterculture
Democratic Party
Dennis Dalrymple
Jerry Rubin
Pig
Pigasus
politics
protest
Students for a Democratic Society
Yippies
-
https://rozsixties.unl.edu/files/original/edbf727687e86d8f25ba09bf5db0275e.jpg
506e2190938b553f4763e4e3a5323730
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vote Pig
Description
An account of the resource
At the Democratic National Convention in Chicago in August 1968, as a part of the broader protest against the Democratic Party and the War in Vietnam, the Youth International Party, or Yippies, satirically nominated a pig - "Pigasus" - for U.S. president. Abbie Hoffman, Jerry Rubin, Dennis Dalrymple and other Yippie pranksters argued, with tongues firmly planted in cheeks, that Pigasus could "really bring home the pork" and "if we can't have him in the White House, we can have him for breakfast." The 1968 stunt typified the Yippies' absurdist, theatrical approach to protest, as well as their mix of New Left politics and counterculturalism.
The image and rhetoric of the "pig" was popular among a range of New Left radicals during the late-1960s and into the 1970s to signify illegitimate, repressive and militaristic state authority, particularly police forces and government officials. The Black Panther Party, Students for a Democratic Society, Yippies and other counterculturists are most well-known for their use of the "pig" caricature, though the image and rhetoric of the "pig" was widely employed across the New Left and counterculture during this period.
Here, the campaign-style "Vote Pig" button serves as a humorous theatrical tool to critique the contemporary state of U.S. politics.
Creator
An entity primarily responsible for making the resource
Youth International Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
New Left
Date
A point or period of time associated with an event in the lifecycle of the resource
1968
1968 election
Abbie Hoffman
Black Panther Party
Chicago '68
counterculture
Jerry Rubin
New Left
Pig
Pigasus
politics
protest
Students for a Democratic Society
Yippies
-
https://rozsixties.unl.edu/files/original/d2d933c4df6e4dc37718a926913ca311.jpg
25a3a6c2b9c27b83e110ff18c1f6de76
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abbie! Toronto Crew ‘98
Description
An account of the resource
Written, produced, and starring Bern Cohen, the play Abbie! commemorates the life of Youth International Party founder and 60s icon, Abbie Hoffman. Hoffman’s long history in social and political activism is most well-known for his role in the 1968 police riot outside the Democratic National Convention in Chicago. Hoffman and his fellow Yippies practiced a kind of absurdist, anarchic and often theatrical approach to social critique and activism. For example, at the 1968 convention, the Yippies nominated a pig, "Pigasus," for U.S. President.
Creator
An entity primarily responsible for making the resource
Abbie Production Team
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1998
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Yippies
Abbie Hoffman
arts
Chicago
Chicago '68
counterculture
Pigasus
protest
theater
Toronto
Yippies
Youth International Party
-
https://rozsixties.unl.edu/files/original/0895a74f558cbb85621cdc61005ff84c.jpg
d781f2c2bf66a6c1b0a6da329d358907
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Inauguration Washington
Description
An account of the resource
At the Democratic National Convention in Chicago in August 1968, as a part of the broader protest against the Democratic Party and the War in Vietnam, the Youth International Party, or Yippies, satirically nominated a pig - "Pigasus" - for U.S. president. Abbie Hoffman, Jerry Rubin, Dennis Dalrymple and other Yippie pranksters argued, with tongues firmly planted in cheeks, that Pigasus could "really bring home the pork" and "if we can't have him in the White House, we can have him for breakfast." The 1968 stunt typified the Yippies' absurdist, theatrical approach to protest, as well as their mix of New Left politics and counterculturalism.
The image and rhetoric of the "pig" was popular among a range of New Left radicals during the late-1960s and into the 1970s to signify illegitimate, repressive and militaristic state authority, particularly police forces and government officials. The Black Panther Party, Students for a Democratic Society, Yippies and other counterculturists are most well-known for their use of the "pig" caricature, though the image and rhetoric of the "pig" was widely employed across the New Left and counterculture during this period.
Here, the campaign-style "Vote Pig" button serves as a humorous theatrical tool to critique the contemporary state of U.S. politics.
Creator
An entity primarily responsible for making the resource
Youth International Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
New Left
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1968
1968 election
Abbie Hoffman
Anti-War
Black Panther Party
Chicago '68
Democratic Party
Dennis Dalrymple
Jerry Rubin
Pigasus
SDS
Yippies
-
https://rozsixties.unl.edu/files/original/9059aab1f3fab77d39c32f0e3e631fed.jpg
9ddb81b01da88cc03369a8d24f0c7d92
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Yippie!
Description
An account of the resource
The Youth International Party, known as the "Yippies," was founded in 1967 by Abbie and Anita Hoffman, Jerry Rubin, Nancy Kurshan, and Paul Krassner. Other activists involved with the Yippes included, Stew Albert, Ed Rosenthal, Allen Ginsberg, Ed Sanders, Robin Morgan,Phil Ochs, Robert M. Ockene, William Kunstler, Jonah Raskin, Steve Conliff, John Sinclair, Dana Beal, Betty (Zaria) Andrew, Matthew Landy Steen, Judy Gumbo, Ben Masel, Tom Forcade, David Peel, Wavy Gravy, Aron Kay, Tuli Kupferberg, Jill Johnston, Daisy Deadhead, Leatrice Urbanowicz, Bob Fass, John Murdock, Alice Torbush, Judy Lampe, Walli Leff, Steve DeAngelo, Dennis Peron, and Brenton Lengel. According to Krasner, who coined the term, Yippies were “radicalized hippies.” In a 2007 essay in the Los Angeles Times, Krasner explained, "We needed a name to signify the radicalization of hippies, and I came up with Yippie as a label for a phenomenon that already existed, an organic coalition of psychedelic hippies and political activists. In the process of cross-fertilization at antiwar demonstrations, we had come to share an awareness that there was a linear connection between putting kids in prison for smoking pot in this country and burning them to death with napalm on the other side of the planet." Further, Anita Hoffman liked the term, but felt that "strait-laced types" needed a more formal name to take the movement seriously. She came up with "Youth International Party," because it symbolized the movement and made for a good play on words. Some referred to the group as "Yippie!," as in a shout for joy (with an exclamation mark to express exhilaration). As Abbie Hoffman wrote, "What does Yippie! mean?" Energy – fun – fierceness – exclamation point!"
The Yippies were influenced by The Diggers in San Francisco and often used guerilla theater, pranks, absurdist forms of protest, as well as political and cultural disruption in their activism. They sought to merge the personal with the political… and have fun in the process. ABC News once stated, "The group was known for street theater pranks and was once referred to as the 'Groucho Marxists'." Among their many storied antics, the Yippies suggested lacing the New York City water supply with LSD, sent joints to hundreds of random people in New York from the telephone book, threw fake money on the floor of the New York Stock Exchange and suggested a circle of hippies could “levitate” the Pentagon during an October 1967 protest. The Yippies understood the dominant role of mass media and television in contemporary society and often went on television, but refused to obey the normal rules of corporate TV production, hoping to “break the frame” and reveal to audiences the constructed nature of mass media. As Krassner later recalled, “[T]he more visual and surreal the stunts we could cook up, the easier it would be to get on the news, and the more weird and whimsical and provocative the theater, the better it would play.” The Yippies were also involved in the underground press movement. Much of the writing and visual culture they produced consisted of obscenity-laced diatribes against mainstream society, but made few serious calls to militant action.
Abbie Hoffman and the Yippies first suggested a “Festival of Life” in the park outside of the 1968 Democratic National Convention in Chicago. They also planned to nominate a pig, nicknamed “Pigasus,” for President. Other New Left organizations joined the effort, which ultimately descended into chaos when Chicago police, at the order of authoritarian Democratic Mayor Richard Daley, attacked and brutally beat demonstrators in front of reporters and television cameras, causing an international controversy. In the melee, many Yippies were injured and arrested, including Abbie Hoffman and Jerry Rubin, who were put on trial as a part of what become known as the Chicago 7.
In 1970, an estimated 200-300 members of the Yippies descended on the Disneyland amusement park in Anaheim, California, to hold what was billed as their “First International Pow-Wow” to protest the U.S.’s continuing involvement in the Vietnam War and to liberate Disneyland as a symbol of the establishment. Hoffman authored a pamphlet in 1967, titled, “Fuck the System”; two books, “Revolution for the Hell of It” (1968) and “Steal This Book” (1971); and an LP record, “Woodstock Nation: A Talk-Rock Album” (1969).
The Yippies began to fragment and disintegrate during the 1970s. A disillusioned Hoffman committed suicide in 1989. Jerry Rubin became a “Yuppie” during the 1980s, embracing capitalism and starting a number of businesses. He was killed in 1994 when he was struck by a car. Even so, a number of Yippie followers have carried on in the same spirit.
_______
Here is a brief clip of Abbie Hoffman discussing Yippie tactics during the 1968 Democratic National Convention: https://www.youtube.com/watch?time_continue=29&v=2oujcg_Tifw
Here is Jerry Rubin speaking to a group of Yippies days before the 1968 Democratic National Convention: https://www.youtube.com/watch?time_continue=10&v=oZlmjZPrG0s
________
Yippie
Manifesto
By Abbie
Hoffman
and
Jerry
Rubin
(1968)
Come
in to
the
streets
on
Nov.
5,
election
day. Vote
with
your
feet.
Rise
up and
abandon
the
creeping
meatball!
Demand
the
bars
be
open.
Make
music and
dance
at
every
red
light.
A
festival
of
life
in
the
streets
and
parks
throughout the world.
The
American
election
represents
death,
and
we
are
alive.
Come
all
you
rebels,
youth
spirits,
rock
minstrels,
bomb
throwers,
bank
robbers,
peacock
freaks,
toe
worshippers,
poets,
street
folk,
liberated
women,
professors
and
body
snatchers:
it
is
election
day
and
we
are
everywhere.
Don't
vote
in
a
jackass‐elephant‐cracker
circus.
Let's
vote
for
ourselves.
Me
for
President.
We
are
the
revolution.
We
will
strike
and
boycott
the
election
and
create
our
own
reality.
Can
you
dig
it:
in
every
metropolis
and
hamlet of
America
boycotts,
strikes,
sit‐ins,
pickets,
lie‐ins,
pray‐ins,
feel‐ins,
piss‐ins
at
the
polling
places.
Nobody
goes
to
work.
Nobody
goes
to
school.
Nobody
votes.
Everyone
becomes
a
life
actor
of
the
street
doing
his
thing,
making
the
revolution
by
freeing
himself
and
fucking
up
the
system.
Ministers
dragged
away
from
polling
places.
Free
chicken
and
ice
cream
in
the
streets.
Thousands
of
kazoos,
drums,
tambourines,
triangles,
pots
and
pans,
trumpets,
street
fairs,
firecrackers – a
symphony
of
life
on
a
day
of
death.
LSD
in
the
drinking
water.
Let's
parade
in
the
thousands
to
the
places
where
the
votes
are
counted
and
let
murderous
racists
feel
our
power.
Force
the
National
Guard
to
protect
every
polling
place
in
the
country.
Brush
your
teeth
in
the
streets.
Organize
a
sack
race.
Join
the
rifle
club
of
your
choice.
Freak
out
the
pigs
with
exhibitions
of snake
dancing
and
karate
at
the
nearest
pig
pen.
Release
a
Black
Panther
in
the Justice
Department.
Hold
motorcycle
races
a
hundred
yards
from
the
polling
places.
Fly
an
American
flag
out
of
every
house
so
confused
voters
can't
find
the polling
places.
Wear
costumes.
Take
a
burning
draft
card
to
Spiro
Agnew.
Stall
for
hours
in
the
polling
places
trying
to
decide
between
Nixon
and
Humphrey
and
Wallace.
Take
your
clothes
off.
Put
wall
posters
up
all
over
the
city.
Hold
block
parties.
Release
hundreds
o f
greased
pigs
in
pig
uniforms
downtown.
Check
it
out
in
Europe
and
throughout
the
world
thousands
of
students
will
march
on
the
USA
embassies
demanding
to
vote
in
the
election
cause
Uncle
Pig
controls
the
world.
No
domination
without
representation.
Let's
make
2‐300
Chicago's
on
election
day.
(On
election
day
let's
pay
tribute
to
rioters,
anarchists,
Commies,
runaways,
draft
dodgers,
acid
freaks,
snipers,
beatniks,
deserters,
Chinese
s pies.
Let's
exorcise
all
politicians,
generals,
publishers,
businessmen,
Popes,
American
Legion,
AMA,
FBI,
narcos,
informers.
And
then
on
Inauguration
Day
Jan.
20
we
will
bring
our
revolutionary
theater
to
Washington
to
inaugurate
Pigasus,
our
pig,
the
only
honest
candidate,
and
turn
the
White
House
into
a
crash
pad.
They
will
have
to
put
Nixon's
hand
on
the
bible
in
a
glass
cage.
Begin
now:
resist
oppression
as
you
feel
it.
Organize
and
begin
the
word
of
mouth
communication
that
is
the
basis
of
all
conspiracies
....
Every
man
a
revolution!
Every
small
group
a
revolutionary
center!
We
will
be
together on
election day.
Yippie!!!
________
A Yippie Manifesto
by Jerry Rubin
This is a Viet Cong flag on my back. During the recent hearings of the House Un-American Activities Committee in Washington, a friend and I are walking down the street en route to Congress – he’s wearing an American flag and I’m wearing this VC flag.
The cops mass, and boom! I am going to be arrested for treason, for supporting the enemy.
And who do the cops grab and throw in the paddy wagon?
My friend with the American flag.
And I’m left all alone in the VC flag.
“What kind of a country is this?” I shout at the cops. “YOU COMMUNISTS!”
Everything is cool en route to Canada until the border. An official motions me into a small room and pulls out a five-page questionnaire.
“Do you use drugs?” he asks quite seriously.
“Yeah,” I say.
“Which?”
“Coca Cola.”
“I mean DRUGS! He shouts.
“Coca Cola is more dangerous for you than marijuana,” I say. “Fucks up your body, and it’s addictive.”
“Have you ever advocated the overthrow of the Canadian government?” he asks.
“Not until I get into Canada.”
Have you ever been arrested for inciting to riot?”
I reply no, and it is true. In August I was arrested in Chicago for something similar, “solicitation to mob action,” a violation of a sex statute.
Finally I ask the border official to drop out. “Man, your job is irrelevant,” I say. “The Canadian-American border does not exist. There are no such things as borders. The border exists only in your head.
“No state has the right to ask me these questions. The answers are mine. Next thing I know you guys will be tapping my brain!”
I try to get the cat to take off his uniform right there. But he refuses, saying, “I’ve got a job to do and a family to support.”
So goes the cancer of the Western World: everyone just doing his “Job.” Nobody learned the lesson of Eichmann. Everyone still points the finger elsewhere.
America and the West suffer from a great spiritual crisis. And so the yippies are a revolutionary religious movement.
We do not advocate political solutions that you can vote for. You are never going to be able to vote for the revolution. Get that hope out of your mind.
And you are not going to be able to buy the revolution in a supermarket, in the tradition of our consumer society. The revolution is not a can of goods.
Revolution only comes through personal transformation: finding God and changing your life. Then millions of converts will create a massive social upheaval.
The religion of the yippies is: “RISE UP AND ABANDON THE CREEPING MEATBALL!”
That means anything you want it to mean. Which is why it is so powerful a revolutionary slogan. The best picket sign I ever saw was blank. Next best was: “We Protest__________!”
Slogans like “Get out of Vietnam” are informative, but they do not create myths. They don’t ask you to do anything but carry them.
Political demonstrations should make people dream and fantasize. A religious-political movement is concerned with people’s souls, with the creation of a magic world which we make real.
When the national media first heard our slogan, they reported that the “creeping meatball” was Lyndon Johnson. Which was weird and unfair, because we liked Lyndon Johnson.
We cried when LBJ dropped out. “LBJ, you took us too literally! We didn’t mean YOU should drop out! Where would WE be if it weren’t for you, LBJ?”
Is there any kid in America, or anywhere in the world, who wants to be like LBJ when he grows up?
As a society falls apart, its children reject their parents. The elders offer us Johnsons, Agnews, and Nixons, dead symbols of a dying past.
The war between THEM and US will be decided by the seven-year-olds.
We offer: sex, drugs, rebellion, heroism, brotherhood.
They offer: responsibility, fear, Puritanism, repression.
Dig the movie Wild in the Streets! A teenage rock-and-roll singer campaigns for a Bobby Kennedy-type politician.
Suddenly he realizes: “We’re all young! Let’s run the country ourselves!”
“Lower the voting age to 14!”
“14 or FIGHT!”
They put LSD in the water fountains of Congress and the Congressmen have a beautiful trip. Congress votes to lower the voting age to 14.
The rock-and-roll singer is elected President, but the CIA and military refuse to recognize the vote. Thousands of long-hairs storm the White House, and six die in the siege. Finally the kids take power, and they put all people over 30 into camps and given them LSD every day. (Some movies are even stranger than OUR fantasies.)
“Don’t trust anyone over 30!” say the yippies – a much-quoted warning.
I am four years old.
We are born twice. My first birth was in 1938, but I was reborn in Berkeley in 1964 in the Free Speech movement.
When we say “Don’t trust anyone over 30,” we’re talking about the second birth. I got 26 more years.
When people 40 years old come up to me and say, “Well, I guess I can’t be part of your movement,” I say, “What do you mean? You could have been born yesterday. Age exists in your head.”
Bertrand Russell is our leader. He’s 90 years old.
Another yippie saying is “THE GROUND YOU STAND ON IS LIBEATED TERRITORY!”
Everybody in this society is a policeman. We all police ourselves. When we free ourselves, the real cops take over.
I don’t smoke pot in public often, although I love to. I don’t want to be arrested: that’s the only reason.
I police myself.
We do not own our own bodies.
We fight to regain our bodies…to make love in the parks, say “fuck” on television, do what we want to do whenever we want to do it.
Prohibitions should be prohibited.
Rules are made to be broken.
Never say “no.”
The yippies say: “PROPERTY IS THEFT.’
What America got, she stole.
How was this country built? By the forced labor of slaves. America owes black people billions in compensation.
“Capitalism” is just a polite schoolbook way of saying: “Stealing.”
Who deserves what they get in America? Do the Rockefellers deserve their wealth? HELL NO!
America says that people work only for money. But check it out: those who don’t have money work the hardest, and those who have money take very long lunch hours.
When I was born I had food on my table and a roof over my head. Most babies born in the world face hunger and cold. What is the difference between them and me?
Every well-off white American better ask himself that question or he will never understand why people hate America.
The enemy is this dollar bill right here in my hand.
Now if I get a match, I’ll show you what I think of it.
This burning gets some political radicals very uptight. I don’t know exactly why. They burn a lot of money putting out leaflets nobody reads.
I think it is more important today to burn a dollar bill than it is to burn a draft card.
“Humm, pretty resilient. Hard to burn. Anybody got a lighter?”
We go to the New York Stock Exchange, about 20 of us, our pockets stuffed with dollar bills. We want to throw real dollars down at all those people on the floor playing monopoly games with numbers.
An official stops us at the door and says, “You can’t come in. You are hippies and you are coming to demonstrate.”
With TV cameras flying away, we reply: “Hippies? Demonstrate? We’re Jews. And we’re coming to see the stock market.”
Well, that gets the guy uptight, and he lets us in. We get to the top, and the dollars start raining down on the floor below.
These guys deal in millions of dollars as a game, never connecting it to people starving. Have they ever seen a real dollar bill?
This is what it is all about, you sonavabitches!!”
Look at them: wild animals chasing and fighting each other over dollar bills thrown by the hippies!
And then someone calls the cops . The cops are a necessary part of any demonstration; always include a role for the cops. Cops legitimize demonstrations.
The cops throw us out.
It is noon. Wall Street Businessmen with briefcases and suits and ties. Money freaks going to lunch. Important business deals. Time. Appointments.
And there we are in the middle of it, burning five-dollar bills. Burning their world. Burning their Christ.
“Don’t, Don’t!” some scream, grasping for the sacred paper. Several near fist-fights break out.
We escape with our lives.
Weeks later The New York Times publishes a short item revealing that the New York Stock Exchange is installing a bullet-proof glass window between the visitor’s platform and the floor, so that “nobody can shot a stockbroker.”
In Chicago, 5,000 yuppies come, armed only with our skin. The cops bring tanks, dogs, guns, gas, long-range rifles, missiles. Is this South Vietnam or Chicago? America always overreacts.
The American economy is doomed to collapse because it has no soul. Its stability is war and preparation for war. Consumer products are built to break, and advertising brainwashes us to consume new ones.
The rich feel guilty. The poor are taught to hate themselves. The guilty and the wretched are on a collision course.
If the men who control the technology used it for human needs and not profit and murder, every human being on the planet could be free from starvation. Machines could do most of the world: People would be free to do what they want.
We should be very realistic and demand the impossible. Food, housing, clothing, medicine, and color TV free for all!!
People would work because of love, creativity, and brotherhood. A new economic structure would produce a new man.
That new structure will be created by new men.
American society, because of its Western-Christian-Capitalist bag, is organized on the fundamental premise that man is bad, society evil, and that: People must be motivated and forced by external reward and punishment.
We are a new generation, species, race. We are bred on affluence, turned on by drugs, at home in our bodies, and excited by the future and its possibilities.
Everything for us is an experience, done for love or not done at all.
We live off the fat of society. Our fathers worked all-year round for a two-week vacation. Our entire life is a vacation.
Every moment, every day we decide what we are going to do.
We do not groove with Christianity, the idea that people go to heaven after they are dead. We want HEAVEN NOW!
We do not believe in studying to obtain degrees in school. Degrees and grades are like money and credit, good only for burning.
There is a war going on in the Western world: a war of genocide by the old against the young.
The economy is closed. It does not need us. Everything is built.
So the purpose of universities is: to get us off the streets. Schools are baby-sitting agencies.
The purpose of the Vietnam War is: to get rid of blacks. They are a nuisance. America got the work she needed out of blacks, but now she has no use for them.
It is a psychological war. The old say, “We want you to die for us.” The old send the young to die for the old.
Our response? Draft-card burning and draft dodging! We won’t die for you.
Young whites are dropping out of white society. We are getting our heads straight, creating new identities. We’re dropping out of middle-class institutions, leaving their schools, running away from their homes, and forming our own communities.
We are becoming the new niggers.
I’m getting on a plane en route to Washington. An airline official comes up to me and says, “You can’t go on this airplane.”
“Why not?” I ask.
“Because you smell.”
That’s what they used to say about black people, remember? They don’t say that about black people anymore. They’d get punched in their fucking mouths.
Our long hair communicates disrespect to America. A racist, short-hair society gets freaked by long hair. It blinds people. In Vietnam, America bombs the Vietnamese, but cannot see them because they are brown.
Long-hair is vital to us because it enables us to recognize each other. We have white skin like our oppressors. Long hair ties us together into a visible counter-community.
A car drives down the street, parents in front, and a 15-year-old longhair kid in back. The kid gives me the “V” sign! That’s the kind of communication taking place.
Within our community we have the seeds of a new society. We have our own communications network, the underground press. We have the beginnings of a new family structure in communes. We have our own stimulants.
When the cops broke into my home on the Lower East Side to arrest me for possession of pot, it was like American soldiers invading a Vietnamese village. They experienced cultural shock.
Fidel Castro was on the wall. They couldn’t believe it! Beads! They played with my beads for 20 minutes.
When the cops kidnapped me in Chicago, they interviewed me as if I had just landed from Mars.
“Do you fuck each other?”
“What is it like on LSD?”
“Do you talk directly with the Viet Cong?”
The two generations cannot communicate with one another because of our different historical experiences.
Our parents suffered through the Depression and World War II. We experience the consumer economy and the U.S.A. as a military bully in Vietnam.
From 1964 to 1968 the movement has been involved in the destruction of the old symbols of America. Through our actions we have redefined those symbols for the youth.
Kids growing up today expect school to be a place to demonstrate, sit-in, fight authority, and maybe get arrested.
Demonstrations become the initiation rites, rituals, and social celebrations of a new generation.
Remember the Pentagon, center of the military ego? We urinated on it. Thousands of stone freaks stormed the place, carrying Che’s picture and stuffing flowers in the rifles of the 82nd Airborne.
Remember the Democratic Convention? Who, after Chicago, can read schoolbook descriptions of national political conventions with a straight face anymore? The farce within the convention became clear because of the war between the yippies and the cops in the streets.
We are calling the bluff on myths of America. Once the myth is exposed, the structure behind it crumbles like sand. Chaos results. People must create new realities.
In the process we create new myths, and these new myths forecast the future.
In America in 1969 old myths can be destroyed overnight, and new ones created overnight because of the power of television. By making communications instantaneous, television telescopes the rev solution by centuries. What might have taken 100 years will now take 20. What used to happen in 10 years now happens in two. In a dying society, television becomes a revolutionary instrument.
For her own protection, the government is soon going to have to suppress freedom of the press and take direct control over what goes on television, especially the news.
TV has dramatized the longhair drop-out movement so well that virtually every young kid in the country wants to grow up and be a demonstrator.
What do you want to be when you grow up? A fireman? A cop? A professor?
“I want to grow up and make history.”
Young kids watch TV’s thrill-packed coverage of demonstrations – including the violence and excitement – and dream about being in them. They look like fun.
Mayor Daley put out this television film about Chicago. It had cops beating up young longhairs. In one scene, the cops threw a tear-gas canister into the crowd, and one demonstrator picked it up and heaved it right back.
Who do you think every kid in the country identified with?
Then the announcer said the chiller: “These demonstrations are Communist led!…”
Communism? Who the hell knows from Communism? We never lived thro8ugh Stalin. We read about it, but it doesn’t affect us emotionally. Our emotional reaction to Communism is Fidel marching into Havana in 1959.
There is NO WORD that the Man has to turn off your youth, no scare word.
“They’re for ANARCHY!”
Damn right, we’re for anarchy! This country is fucking over-organized anyway. “DON’T DO THIS! DON”T DO THAT, Don’t!”
Growing up in America is learning what NOT to do.
We say: “DO IT, DO IT. DO WHATEVER YOU WANT TO DO.”
Our battlegrounds are the campuses of America. White middle-class youth are strategically located in the high schools and colleges of this country. They are our power bases.
If one day 100 campuses were closed in a nationally coordinated rebellion, we could force the President of the United States to sue for peace at the conference table.
As long as we are in school we are prisoners. Schools are voluntary jails. We must liberate ourselves.
Dig the geography of a university. You can always tell what the rulers have up their sleeves when you check out the physical environment they create. The buildings tell you how to behave. Then there is less need for burdensome rules and cops. They designed classrooms so that students sit in rows, one after the other, hierarchically facing the professor who stands up front talking to all of them.
Classrooms say:
“Listen to the Professor.
“He teaches you.
“Keep your place.
“Don’t stretch out.
“Don’t lie on the floor.
“Don’t relax.
“Don’t speak out of turn.
“Don’t take off your clothes.
“Don’t get emotional.
“Let the mind rule the body.
“Let the needs of the classroom rule the mind.
Classrooms are totalitarian environments. The main purpose of school and education in America is to force you to accept and love authority, and to distrust your own spontaneity and emot8ons.
How can you grow in such an over-structured environment? You can’t. Schools aren’t for learning.
Classrooms should be organized in circles, with the professor one part of the circle. A circle is a democratic environment.
Try breaking up the environment. Scream “Fuck” in the middle of your prof’s lecture. ‘
So we organized a University of the Flesh. Four of us go into a classroom. We sit in the middle of the class. The lecture is on “Thinking.”
Thinking!
We take off our shirts, smoke joints and start French kissing. A lot of students get nervous. This goes on for 10-15 minutes, and the professor goes on with his lecture like nothing is happening.
Finally a girl says, “The people there are causing a distraction, and could they either put their shirts back on or could they please leave.”
And the prof says, “Well, I agree with that. I think that if you’re not here to hear what I’m saying…”
We shout: “You can’t separate thinking from loving! We are hard in thought!!”
And the prof says, “Well, in my classroom I give the lessons.”
Scratch a professor deep and you find a cop!
Fucking milquetoast! Didn’t have the guts to throw us out, but in his classroom HE GIVES the lesson. So he sends his teaching assistant to get the cops, and we split.
The mind is programmed. Get in there and break that bloody program!
Can you imagine what a feeling a professor has standing in front of a class and looking at a room full of bright faces taking down every word he says, raising their hands and asking questions? It really makes someone think he is God. And to top it off, he has the power to reward and punish you, to decide whether or not you are fit to advance in the academic rat race.
Is this environment the right one for teacher and student?
Socrates is turning in his grave.
I was telling a professor of philosophy at Berkeley that many of his students were wiser men than he, even en though he may have read more books and memorized more theories.
He replied, “Well, I must take the lead in the transfer of knowledge.”
Transfer of knowledge! What is knowledge?
How to Live.
How to Legalize Marijuana.
How to Make a Revolution.
How to Free People from Jail.
How to Organize Against the CIA.
When a professor takes off his suit and tie, and joins us in the streets, then I say, “Hay man, what’s your first name?” You’re my brother. Let’s go. We’re together.”
I don’t dig the “professor” bullshit. I am more interested in a 15-year-old stoned dope freak living on street corners than I am in a Ph.D.
There is anti-intellectualism in America because professors have created an artificial environment. That is why the average working guy does not respect professors.
The university is a protective and plastic scene, shielding people from the reality of life, the reality of suffering, of ecstasy, of struggle. The university converts the agony of life into the securi6ty of words and books.
You can’t learn anything in school. Spend one hour in a jail or a courtroom and you will learn more than in five years spent in a university.
All I learned in school was how to beat the system, how to fake answers. But there are no answers. There are only more questions. Life is a long journey of questions, answered thro8ugh the challenge of living. You would never know that, living in a university ruled by the “right” answers to the wrong questions.
Graffiti in school bathrooms tells you more about what’s on people’s minds than all the books in the library.
We must liberate ourselves. I dropped out. The shit got up to my neck and I stopped eating. I said: NO. NO. NO!! I’m dropping out.
People at Columbia found out what it felt like to learn when they seized buildings and lived in communes for days.
We have to redesign the environment and remake human relationships. But if you try it, you will be kicked out.
You know what professors and deans will say? “Of you don’t like it here, why don’t you go back to Russia!”
A lot is demanded of white, middle-class youth in 1969. The whole thing about technological and bureaucratic society is that it is not made for heroes. We must become heroes.
The young kids living in the streets as new niggers are the pioneers of tomorrow, living dangerously and existentially.
The yippies went to Chicago to have our counter-festival, a “Festival of Life” in the parks of Chicago, as a human contrast to the “Convention of Death” of the Democrats.
I get a phone call on Christmas Day, 1967 from Marvin Garson, the editor of the San Francisco Express-Times, and he says, “Hay, it looks like the Peace and Freedom Party is not going to get on the ballot.”
I say, “I don’t care. I’m not interested in electoral politics anyway.”
And he says, “Let’s run a pig for President.”
An arrow shoots through my brain. Yeah! A pig, with buttons, posters, bumper stickers.
“America, why take half a hog, when you can have the whole hog.”
At the Democratic convention, the pigs nominate the President and he eats the people.
At the yippie convention, we nominate our pig and after he makes his nominating speech, we earth him. The contrast is clear: should the President earth the people or the people earth the President?
Well, we didn’t kill our pig. If there is one issue that could split the yippies, it is the issue of vegetarianism. A lot of yippies don’t believe in killing and eating animals, so I had to be less militant on that point.
We bring Pigasus to Chicago, and he is arrested in Civic Center. The cops grab him. They grab seven of us, and they throw us in the paddy wagon with Pigasus.
The thing about running a pig for President is that it cuts through the shits. People’s minds are full of things like, “You may elect a greater evil.” We must break through their logic. Once we get caught in their logic, we’re trapped in it.
Just freak it all out and proclaim: “This country is run on the principles of garbage. The Democratic and Republican parties have nominated a pig. So have we. We’re honest about it.”
In Chicago, Pigasus was a hell of a lot more effective than all those lackeys running around getting votes for the politicians. It turned out that the pig was more relevant to the current American political scene than Senator Eugene McCarthy. I never thought McCarthy could reform the Democratic Party. Hell, McCarthy barely got into the convention himself. He had to have a ticket. That’s how controlled the damn thing was. Finally, we forced McCarthy out into the streets with the people.
The election was not fair because every time we brought eh pigs out to give a campaign speech, they arrested him. It happened in Chicago, in New York, in San Francisco, even in London.
The yippies asked that the presidential elections be cancelled until the rules of the game were changed. We said that everyone in the role should both in American elections because America controls the world.
Free elections are elections in which the people who vote are the people affected by the results. The Vietnamese have more right to vote in the American elections than some 80-year-old grandmother in Omaha. They’re being bombed by America! They should have at least some choice about it, how, and by whom they are going to be bombed.
I have nothing in particular against 80-year-old grandmothers, but I am in favor of lowering the voting age to 12 or 14 years. And I’m not sure whether people over 50 should vote.
It is the young kids who are going to live in this world in the next 50 years. They should choose what they want for themselves.
Most people over 50 don’t think about the potentialities of the future: they are preoccupied with justifying their past.
The only people who can choose change without suffering blows to their egos are the young, and change is the rhythm of the universe.
Many older people are constantly warning: “The right wing will get you.” “George Wallace will get your momma.”
I am so scared of George Wallace that I wore his fucking campaign button. I went to his campaign rally – all old ladies.
There are six Nazis who come with black gloves and mouthpieces, looking for a fight. And two fights break out. Two guys with long hair beat the shit out of them.
I am not afraid of the right wing because the right wing does not have the youth behind it.
“Straight” people get very freaked by Wallace. “Freaks” know the best way to fuck Wallace up. We support him.
At Wallace’s rally in the Cow Palace in Sand Francisco, we come with signs saying “CUT THEIR HAIR1” “SEND THEM BACK TO AFRICA!” “BOMB THE VIETNAMESE BACK TO THE STONE AGE!”
When we arrive there is a picket line going on in front of the rally. I recognize it is the Communist Party picketing.
What? Picketing Wallace?
I walk up to my friend Bettina Aptheker and say, “Bettina, you’re legitimizing him. You’re legitimizing him by picketing. Instead, support him, kiss him. When he says the next hippie in front of his car will be the last hippie, cheer! Loudly!”
We have about two hundred people there, and we are the loudest people at the rally. Every five seconds we are jumping up and swearing. “Heil! Hitler! Heil! Hitler!”
Wallace is a sick man. America is the loony bin. The only way to cure her is through theatrical shock. Wallace is necessary because he brings to the surface the racism and hate that is deep within the country.
The hippie Fugs spearheaded the anti-war movement of the past five years by touring theaters and dance halls shouting into a microphone: “Kill, Kill, Kill for Peace! Kill, Kill, I’ll for Peace!”
Wallace says aloud what most people say privately. He exposes the beast within liberal America. He embarrasses the liberal who says in one breath, “Oh, I like Negroes,” and then in another breath, “We must eliminate crime in the streets.”
Remember what Huey Long said: “When fascism comes to America, it will come as Americanism.”
Wallace may be the best thing for those of us who are fighting him. You can only fight a disease after you recognize the diagnose it. America does not suffer from a cold: she has cancer.
The liberals who run this country agree with Wallace more than they disagree with him. George tells tales out of school. The liberals are going to have to shut that honest motherfucker up.
Do you dig that most cops support Wallace? Cops – the people who make and enforce the law in the streets! Wallace speaks FOR them.
Isn’t that scary? Can’t you see why blacks are getting guns and organizing into small self-defense units? Wouldn’t you, if you were in their situation? Shouldn’t you be?
Make America see her vampire face in the mirror. Destroy that gap between public talk and private behavior. Only when people see what’s happening can they hear our screams, and feel our passion.
The Vietnam War is an education for America. It is an expansive teaching experience, but the American people are the most brink-washed people in the world.
At least the youth are learning that this country is no paradise – America kills infants and children in Vietnam without blinking. Only professional killers can be so cool.
If you become hip to America in Vietnam, you can understand the reaction against the red-white-and-blue in Latin America, and you can feel why China hates us.
They are not irrational – America is.
Wallace is a left-wing agitator. Dig him. He speaks to the same anxiety and powerlessness that the New Left and yippies talk about.
Do you feel overwhelmed by bigness, including Big Government?
Do you lack control over your own life?
Are you distrustful of the politicians and bureaucrats in Washington?
Are you part of the “little people?”
Wallace stirs the masses. Revolutions should do that too.
When is the left going to produce an inflammatory and authentic voice of the people? A guy who reaches people’s emotions? Who talks about revolution the way some of those nuts rap about Christ?
Wallace says: “We’re against niggers, intellectuals, liberals, hippies.”
Everybody! He puts us all together. He organizes us for us.
We must analyze how America keeps people down. Not by physical force, but by fear. From the second kids are hatched, we are taught fear. If we can overcome fear, we will discover that we are Davids fighting Goliath.
In late September a friend calls and says, “Hay, I just got a subpoena from HUAC.”
I say, “Yeah” I didn’t. What’s going on here? I’m angry. I want a subpoena too.
It’s called subpoenas envy.
So I telephone a confident to the Red Squad, a fascist creep who works for the San Francisco Examiner, and I say, “Hey, Ed, baby, what about HUAC? Are they having hearings?”
He answers, “Well, I don’t know. Are they?”
Well, my friend just got a subpoena.” I say. “I’d like on too. If you can manage it.”
He says, “Call me back in a few hours.”
I call him back that afternoon and he says, “Well, I just talked to HUAC in Washington, and you are right. They are having hearings, and they are looking for you in New York.”
In NEW YORK? I’ve been in Berkeley a week! You guys are sure doing a shitty job trying to save this country!”
We exaggerate the surveillance powers of cops. We shouldn’t. They are lazy. Their laziness may be the one reason why America doesn’t yet have a totally efficient police state.
The cops were not lazy in Chicago. They followed the “leaders” continuously, 24 hours a day. If you are trailed by four cops just six steps behind you, you can’t do very much.
But the people really doing things – why, the cops didn’t even know who they were!
Pigs cannot relate to anarchy. They do not understand a movement based on personal freedom. When they look at our movement, they look for a hierarchy: leaders, lieutenants, followers.
The pigs think that we are organized like a pig department. We are not, and that’s why we are going to win. A hierarchical, top-down organization is no match for the free and loose energy of the people.
As the pigs check with their high-ups to find out what to do next, we have already switched the tactics and scene of the battle. They are watching one guy over there, and it is happening over here!
I come to the HUAC hearings wearing a bandolero of real bullets and carrying a toy M-16 rifle on my shoulder. The rifle was a model of the rifles the Viet Cong steal and then use to kill American soldiers in Vietnam.
The pigs stop me at the door of the hearings. They grab the bullets and the gun. It is a dramatic moment. Press and yippies pack us in tightly. The pigs drag me down three flights of stairs and remove the bullets, leaving the gun, Viet Cong pajamas, Eldridge Cleaver buttons, Black Panther beret, war paint, earrings, bandolero, and the bells which ring every time I move my body. My costume carried a nonverbal message: “We must all become stoned guerrillas.”
The secret to the costume was the painted tits. Guerrilla war in America is going to come in psychedelic colors. We are hippie-guerrillas.
In HUAC’s chambers Abbie Hoffman jumps up and yells out, “May I do to the bathroom?” Young kids reading that in their hometown papers giggle because they have to ask permission every time they want to go to the bathroom in school.
The message of my costume flipped across the country in one day: an example of our use of the enemy’s institutions – her mass media – to turn on and communicate with one another.
I wore a Santa Clause costume to HUAC two months later in a direct attempt to reach the head of every child in the country.
Our victories are catching up with us: America isn’t ready to napalm us yet, but the future doesn’t look easy.
From June to November 1968, when I was helping to organize the demonstrations against the Democratic convention in Chicago, I experienced the following example of Americana:
New York pigs use a phony search warrant to bust into my apartment, question me, beat me, search the apartment and arrest me for alleged felonious possession of marijuana; a pig in Chicago disguises himself as a biker to “infiltrate” the yippies as an agent provocateur and spy; he busts me on a frame-up, “solicitation to mob action,” a felony punishable by five years in the pen; the judge imposes $25,000 bail and restricts my travel to Illinois; then the Justice Department in a document to a Virginia court admits that it maintains “electronic surveillance…of Jerry Rubin..in the interests of national security.”
To try to suppress youth, Nixon will have to destroy the Constitution.
We will be presumed guilty until proven innocent.
Our privacy will vanish. Big Brother will spy on all of us and dominate our lives.
Every cop will become a law until himself.
The courts will become automatic transmission belts sending us to detention camps and prisons.
People will be arrested for what they write and say.
Congress will impose censorship on the mass media, unless the media first censors itself, which is more likely.
To be young will be a crime.
In response, we must never become cynical, or lose our capacity for anger. We must stay on the offensive and be aggressive: AMERICA: IF YOU INJURE ONE, YOU MUST FIGHT ALL.
If our opposition is united, the repression may backfire and fail. The government may find the costs too heavy.
Don’t think, “They can never get ME.”
They can.
You are either on the side of the cops or on the side of human beings.
YIPPIE!
Creator
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Youth International Party
Source
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Roz Payne
Publisher
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Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
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Button
Type
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Physical Object
Subject
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Counterculture and New Left
Date
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late-1960s
Abbie Hoffman
absurdism
Alice Torbush
Allen Ginsberg
Aron Kay
Ben Masel
Betty (Zaria) Andrew
Bob Fass
Brenton Lengel
Chicago '68
counterculture
Daisy Deadhead
Dana Beal
David Peel
Democratic Party
demonstration
Dennis Peron
Disneyland
Ed Rosenthal
Ed Sanders
Festival of Life
First International Pow-Wow
Fuck the System
guerilla theater
Jerry Rubin
Jill Johnston
John Murdock
John Sinclair
Jonah Raskin
Judy Gumbo
Judy Lampe
Leatrice Urbanowicz
Levitation
LSD
marijuana
Matthew Landy Steen
New Left
New York
New York Stock Exchange
Paul Krasner
Pentagon
Phil Ochs
Pigasus
Revolution for the Hell of It
Richard Daley
Robert M. Ockene
Robin Morgan
Steal This Book
Steve Conliff
Steve DeAngelo
Stew Albert
Tom Forcade
Tuli Kupferberg
Walli Leff
Wavy Gravy
William Kunstler
Woodstock Nation
Yippies
Yuppie
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Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
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Title
A name given to the resource
Youth International Party Manifesto!
Subject
The topic of the resource
New Left
Description
An account of the resource
The Youth International Party, known as the "Yippies," was founded in 1967 by Abbie and Anita Hoffman, Jerry Rubin, Nancy Kurshan, and Paul Krassner. Other activists involved with the Yippies included, Stew Albert, Ed Rosenthal, Allen Ginsberg, Ed Sanders, Robin Morgan, Phil Ochs, Robert M. Ockene, William Kunstler, Jonah Raskin, Steve Conliff, John Sinclair, Dana Beal, Betty (Zaria) Andrew, Matthew Landy Steen, Judy Gumbo, Ben Masel, Tom Forcade, David Peel, Wavy Gravy, Aron Kay, Tuli Kupferberg, Jill Johnston, Daisy Deadhead, Leatrice Urbanowicz, Bob Fass, John Murdock, Alice Torbush, Judy Lampe, Walli Leff, Steve DeAngelo, Dennis Peron, and Brenton Lengel. According to Krasner, who coined the term, Yippies were “radicalized hippies.” In a 2007 essay in the Los Angeles Times, Krasner explained, "We needed a name to signify the radicalization of hippies, and I came up with Yippie as a label for a phenomenon that already existed, an organic coalition of psychedelic hippies and political activists. In the process of cross-fertilization at antiwar demonstrations, we had come to share an awareness that there was a linear connection between putting kids in prison for smoking pot in this country and burning them to death with napalm on the other side of the planet." Further, Anita Hoffman liked the term, but felt that "strait-laced types" needed a more formal name to take the movement seriously. She came up with "Youth International Party," because it symbolized the movement and made for a good play on words. Some referred to the group as "Yippie!," as in a shout for joy (with an exclamation mark to express exhilaration). As Abbie Hoffman wrote, "What does Yippie! mean?" Energy – fun – fierceness – exclamation point!"
The Yippies were influenced by The Diggers in San Francisco and often used guerilla theater, pranks, absurdist forms of protest, as well as political and cultural disruption in their activism. They sought to merge the personal with the political… and have fun in the process. ABC News once stated, "The group was known for street theater pranks and was once referred to as the 'Groucho Marxists'." Among their many storied antics, the Yippies suggested lacing the New York City water supply with LSD, sent joints to hundreds of random people in New York from the telephone book, threw fake money on the floor of the New York Stock Exchange and suggested a circle of hippies could “levitate” the Pentagon during an October 1967 protest. The Yippies understood the dominant role of mass media and television in contemporary society and often went on television, but refused to obey the normal rules of corporate TV production, hoping to “break the frame” and reveal to audiences the constructed nature of mass media. The Yippies were also involved in the underground press movement. Much of the writing and visual culture they produced consisted of obscenity-laced diatribes against mainstream society, but made few serious calls to militant action.
Abbie Hoffman and the Yippies first suggested a “Festival of Life” in the park outside of the 1968 Democratic National Convention in Chicago. They also planned to nominate a pig, nicknamed “Pigasus,” for President. Other New Left organizations joined the effort, which ultimately descended into chaos when Chicago police, at the order of authoritarian Democratic Mayor Richard Daley, attacked and brutally beat demonstrators in front of reporters and television cameras, causing an international controversy. In the melee, many Yippies were injured and arrested, including Abbie Hoffman and Jerry Rubin, who were put on trial as a part of what become known as the Chicago 7.
In 1970, an estimated 200-300 members of the Yippies descended on the Disneyland amusement park in Anaheim, California, to hold what was billed as their “First International Pow-Wow” to protest the U.S.’s continuing involvement in the Vietnam War and to liberate Disneyland as a symbol of the establishment. Hoffman authored a pamphlet in 1967, titled, “Fuck the System”; two books, “Revolution for the Hell of It” (1968) and “Steal This Book” (1971); and an LP record, “Woodstock Nation: A Talk-Rock Album” (1969).
The Yippies began to fragment and disintegrate during the 1970s. A disillusioned Hoffman committed suicide in 1989. Jerry Rubin became a “Yuppie” during the 1980s, embracing capitalism and starting a number of businesses. He was killed in 1994 when he was struck by a car. Even so, a number of Yippie followers have carried on in the same spirit.
Along the bottom right of this poster, it reads: “more copies: YIP 333 East 5th Street, NYC."
The main text on the poster is the Youth International Party Manifesto and it reads:
YOUTH INTERNATIONAL PARTY
MANIFESTO!
WE ARE A PEOPLE
We are a new nation.
We believe in life.
And we want to live now.
We want to be alive 24 hours a day.
Nine-to-five Amerika doesn't even live on weekends.
Amerika is a death machine. It is run
on and for money whose power
determines a society based on war,
racism, sexism, and the destruction
of the planet. Our life-energy is the
greatest threat to the machine.
So they're out to stop us.
They have to make us like them.
They cut our hair, ban our music
festivals, put cops and narcs in the
schools, put 200,000 of us in jail
for smoking flowers, induct us,
housewive us, Easy-Rider murder us.
Amerika has declared war on our New Nation!
WE WILL BUILD AND DEFEND OUR NEW NATION
But we will continue to live and grow. We are young, we have beautiful
ideas about the way we should live. We want everyone to control their
own life and to care for one another. And we will defend our freedom
because we can’t live any other way.
We will continue to seize control of our minds and our bodies. We can't
do it in their schools, so we'll take them over or create our own. We
can't do it in their Army, so we'll keep them from taking our brothers.
We can't make it in their jobs, so we'll work only to survive. We can't
relate to each other like they do - our nation is based on cooperation
not competition.
We will provide for all that we need to build and defend our nation. We
will teach each other the true history of Amerika so that we may learn
from the past to survive in the present. We will teach each other the
tactics of self-defense. We will provide free health services: birth
control and abortions, drug information, medical care, that this society
is not providing us with.
We will begin to take control of drug manufacture and distribution, and
stop the flow of bad shit. We will make sure that everyone has a decent
place to live: we will fight landlords, renovate buildings, live
communally, have places for sisters and brothers from out-of-town, and
for runaways and freed prisoners. We will set up national and
international transport and communication so we can be together with our
sisters and brothers from different parts of the country and the world.
We will fight the unnatural division between cities and country by
facilitating travel and communication
. We will end the domination of women by men, and children by adults.
The well-being of our nation is the well-being of all peace-loving
people.
WE WILL HAVE PEACE
We cannot tolerate attitudes, institutions, and machines whose purpose
is the destruction of life and the accumulation of "profit.”
Schools and universities are training us for roles in Amerika's empire
of endless war. We cannot allow them to use us for the
military-industrial profiteers.
Companies that produce waste, poisons, germs, and bombs have no place in
this world.
We are living in the capital of the world war being waged against life.
We are not good Germans. We who are living in this strategic center of
Babylon must make it our strategic center. We can and must stop the
death machine from butchering the planet.
We will shut the motherfucker down!
WE WILL MAKE OUR NEW NATION FIT FOR LIVING THINGS
We will seize Amerika’s technology and use it to build a nation based on
love and respect for all life.
Our new society is not about the power of a few men but the right of all
humans, animals and plants to play out their natural roles in harmony.
We will build our communities to reflect the beauty inside us.
People all over the world are fighting to keep Amerika from turning
their countries into parking lots!
WE WILL BE TOGETHER WITH ALL THE TOGETHER PEOPLES OF THE EARTH
Pig Empire is ravaging the globe, but the beautiful people everywhere
are fighting back. New Nation is one with the black, brown, red & yellow
nations.
Che said:
'You North Americans are very lucky. You live in the middle of the
beast. You are fighting the most important fight of all, If I had my
wish, I would go back with you to North Amerika to fight there. I envy
you.' "
Creator
An entity primarily responsible for making the resource
Yippies
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1968
Format
The file format, physical medium, or dimensions of the resource
poster
“Festival of Life”
Abbie Hoffman
Alice Torbush
Allen Ginsberg
Anaheim
Anita Hoffman
Anti-War
Aron Kay
Ben Masel
Betty (Zaria) Andrew
Bob Fass
Brenton Lengel
California
Chicago '68
Chicago 7
counterculture
Daisy Deadhead
Dana Beal
David Peel
Democratic Party
Dennis Peron
Disneyland
Ed Rosenthal
Ed Sanders
Fuck the System
Jerry Rubin
Jill Johnston
John Murdock
John Sinclair
Jonah Raskin
Judy Gumbo
Judy Lampe
Leatrice Urbanowicz
Los Angeles Times
LSD
manifesto
marijuana
Matthew Landy Steen
Nancy Kurshan
New Left
New York
New York Stock Exchange
Paul Krassner
Pentagon
Phil Ochs
Pigasus
Revolution for the Hell of It
Richard Daley
Robert M. Ockene
Robin Morgan
Situationist International
Steal This Book
Steve Conliff
Steve DeAngelo
Stew Albert
The Diggers
Tom Forcade
Tuli Kupferberg
Vietnam War
Walli Leff
Wavy Gravy
William Kunstler
Woodstock Nation
Yippies
Youth International Party
Yuppie