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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Objects
Description
An account of the resource
This collection contains a small number of physical objects, including a National Liberation Front flag, a fake check depicting the burning of the Bank of America branch in Isla Vista, an admission pass to Woodstock, an anti-war necklace made from the shrapnel of a downed U.S. military airplane in North Vietnam, a pop art necklace made from soda bottle caps, and folk singer Malvina Reynolds' guitar. Most notable, perhaps, is a lengthy homemade book created by Roz Payne and a number of other radical feminists.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An Aquarian Exposition Staff Pass
Source
A related resource from which the described resource is derived
Roz Payne
Date
A point or period of time associated with an event in the lifecycle of the resource
1969
Type
The nature or genre of the resource
Physical Object
Description
An account of the resource
Billed as “3 Days of Peace & Music,” the Woodstock Music and Art Fair took place between August 15 and 18, 1969, in White Lake, New York. A seminal moment in the history of the Sixties-era countercultural movement, an estimated 400,000-500,000 people gathered peacefully in sometimes rainy conditions to listen to musical acts featured at the festival, including Santana, the Grateful Dead, Sly and the Family Stone, The Who, Janis Joplin, Jimi Hendrix, Jefferson Airplane, Crosby, Stills, Nash & Young, Joan Baez, Richie Havens, Ravi Shankar, Country Joe McDonald, Joe Cocker, Creedance Clearwater Revival, She Na Na, Blood, Sweat & Tears, The Band, Paul Butterfield Blues Band, Johnny Winter and others. The logo on the staff pass, which features a dove perched on top of a guitar bridge, was designed by graphic artist, Arnold Skolnick.
These passes were Roz Payne's. Roz was good friends with many of the organizers of the Woodstock music festival.
Creator
An entity primarily responsible for making the resource
Woodstock Music and Art Fair
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Ticket, Festival Pass
Arnold Skolnick
Blood
counterculture
Country Joe McDonald
Creedance Clearwater Revival
Crosby
Grateful Dead
Janis Joplin
Jefferson Airplane
Jimi Hendrix
Joan Baez
Joe Cocker
Johnny Winter
Music
Nash & Young
Paul Butterfield Blues Band
Pop Art
Ravi Shankar
Richie Havens
Seat & Tears
She Na Na
Sly and the Family Stone
Stills
The Band
The Who
Ticket
Woodstock Music and Art Festival
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cornell Daily Sun, Friday, May 2, 1969
Subject
The topic of the resource
New Left
Description
An account of the resource
The Cornell Daily Sun is an independent newspaper published by Cornell University students in Ithaca, New York. The newspaper was established in 1880 by William Ballard Hoyt to challenge the weekly Cornell Era. Of particular note in this issue is coverage of the Cornell SDS ROTC protest. Members of SDS and their supporters “broke into a restricted area of Barton Hall” and “painted slogans on a Naval Reserve Officers Training Corps practice deck gun.” This protest was a part of a larger wave of protest against ROTC on campuses across the country during this period. Other articles focus on a Cornell Trustee meeting in the wake of campus protests; demonstrations on other campuses nationwide. Also, this issue includes advertisements for a film screening of The Beatles new film, “Magical Mystery Tour,” an upcoming concert at Cornell by Janis Joplin, an upcoming concert on campus by the Pharoah Sander Quintet and an upcoming concert at Syracuse by Jimi Hendrix.
Creator
An entity primarily responsible for making the resource
Cornell Daily Sun
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
May 2, 1969
Type
The nature or genre of the resource
independent media
Barton Hall
Beatles
Cornell Daily Sun
Cornell Era
Cornell University
counterculture
film
Ithaca
Janis Joplin
Jimi Hendrix
Magical Mystery Tour
Music
New Left
New York
Pharaoh Sanders Quintet
ROTC
SDS
Students for a Democratic Society
Syracuse
William Ballard Hoyt
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gotta Get Out of the Blues Alive
Subject
The topic of the resource
Counterculture
Description
An account of the resource
This poster features a poem reflecting on the deaths and loss off Janis Joplin and Jimi Hendrix.
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1970
Format
The file format, physical medium, or dimensions of the resource
poster
counterculture
Janis Joplin
Jimi Hendrix
Music
poetry
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photographs
Description
An account of the resource
Roz Payne was a photographer and took hundreds of images of activism during the Sixties. The images in this collection include more than 500 photographs of the protests outside the 1968 Democratic National Convention in Chicago. Other seminal events captured here include the 1967 anti-war demonstration at the Pentagon, the 1968 student take-over at Columbia University, the 1968 Huey Newton and Panther 21 trials, the Yippies and the Venceremos Brigade. Photos include famous Sixties figures, like Abbie Hoffman, Jerry Rubin, Eldridge Cleaver, H. Rap Brown, Bobby Seale, Kathleen Cleaver, Phil Ochs, Norman Mailer, A.J. Muste, Dick Gregory, Jean Genet, William Burroughs, Richard Daley, Mark Rudd, Dhoruba Bin Wahad and others. There are numerous other photos of lesser-known moments and activists, as well.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Janis Joplin in Concert
(1 image)
Subject
The topic of the resource
counterculture
Description
An account of the resource
Roz Payne took this photograph at an unidentified Janis Joplin concert.
Creator
An entity primarily responsible for making the resource
Roz Payne
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1960s
concert
counterculture
Janis Joplin
rock and roll
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Woodstock Music and Arts Fair
Description
An account of the resource
Between August 15 and August 18, 1969, an estimated 400,000 members of the counterculture generation descended on Max Yasgur's farm near White Lake, New York, to attend a series of sometimes rain-soaked concerts by 32 popular musical acts, including Janis Joplin, Santana, Canned Heat, The Who, Creedence Clearwater Revival, Richie Havens, Joan Baez, Joe Cocker, Country Joe & the Fish, Ravi Shankar, The Band, Johnny Winter, Blood, Sweat & Tears, Crosby, Stills Nash & Young, Sha-Na-Na, Paul Butterfield Blues Band, Jefferson Airplane, the Grateful Dead, Sly and the Family Stone, and Jimi Hendrix, whose searing, cacophonous performance of the "Star-Spangled Banner" on the final day of the festival has become iconic in the years since the event. Woodstock - which billed itself as "An Aquarian Exposition: 3 Days of Peace & Music" - is one of the primary historical markers of the Sixties counterculture. A 1970 documentary on the festival won an Academy Award and the accompanying triple LP record reached #1 on the pop music chart that same year.
Creator
An entity primarily responsible for making the resource
Woodstock Music and Arts Fair
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1969
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Counterculture
Blood
Canned Heat
counterculture
Country Joe & the Fish
Creedence Clearwater Revival
Crosby
Janis Joplin
Jefferson Airplane
Jimi Hendrix
Joan Baez
Joe Cocker
Johnny Winter
Max Yasgur
New York
Paul Butterfield Blues Band
Ravi Shankar
Richie Havens
Santana
Sha-Na-Na
Sly and the Family Stone
Star-Spangled Banner
Stills Nash & Young
Sweat & Tears
The Band
the Grateful Dead
The Who
White Lake
Woodstock Music and Art Festival