1
50
19
-
https://rozsixties.unl.edu/files/original/9574a248d8e43035c05b17c90a5fc4f0.jpg
11603010b530dd07541f4571c7272481
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
In 1966, Detroit cultural radicals, Allen Van Newkirk, John Sinclair and Gary Grimshaw created Guerrilla, “a monthly newspaper of contemporary kulchur” and “weapon of cultural warfare.” The newspaper was a part of a larger project, the Detroit Artists Workshop, which was formed in 1964, “a local attempt in self-determination for artists of all disciplines.” Guerrilla mixed “humor, politics and music under the circus big top of surrealism and pop culture.” It was primarily a cultural review and included an international artistic perspective. Soon after its first issue appeared, Van Newkirk, who was an revolutionary anarchist with an antipathy for the hippie counterculture and slackers, split with the Detroit Artists Workshop and fired Sinclair, who was more aligned with the hippie counterculture. Despite their ideological and political differences, the two, in fact, continued to work together on Guerrilla, though Van Newkirk’s vision predominated. In subsequent issues, Van Newkirk included a series of oversized political posters, including this one.
The text on this poster reads: "A Rule Of Thumb Of Revolutionary Politics / Is That No Matter How Oppressive The Ruling Class May Be / No Matter How Impossible The Task Of Making / Revolution / May Seem / The Means Of Making That / Revolution / Are Always At Hand." At the center is information on a publication, Guerrilla with the quote "our purpose in entering the political arena / is to send the jackass back to the farm and the elephant back to the zoo." At the bottom is "Eldridge / Cleaver / For President / Minister of information/Black Panther Party".
Eldridge Cleaver was the controversial "Minister of Information" for the Black Panther Party. Cleaver, who edited the Black Panther Party newspaper, is credited with crafting a more radical and incendiary public rhetoric for the organization. His 1968 book, Soul On Ice, was a best-seller, simultaneously praised and condemned, and much-debated. Cleaver was the presidential candidate for the Peace & Freedom Party in 1968, earning .05% of the vote. Following a deadly altercation with Oakland police that same year, Cleaver fled the United States, first to Cuba, then to Algeria and ultimately France, before he returned to the United States in 1975. An ideological split between Cleaver and party co-founder, Huey Newton, led to Cleaver's ouster from the party. Following his exile, Eldridge Cleaver became a born-again Christian, dabbling in a variety of different denominations. He also participated in conservative politics through the Republican Party. Cleaver died in 1998.
Title
A name given to the resource
Revolution Revolution - Eldridge Cleaver for President
Subject
The topic of the resource
Black Power
Creator
An entity primarily responsible for making the resource
Guerilla: Free Newspaper of the Streets
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1968
Format
The file format, physical medium, or dimensions of the resource
poster
1968 election
Algeria
Allen Van Newkirk
Anti-War
Black Panther Party
Black Power
Cuba
Detroit
Eldridge Cleaver
France
Gary Grimshaw
Guerrilla
Huey Newton
John Sinclair
Michigan
Minister of Information
New Left
New York
Peace & Freedom Party
Soul On Ice
Vietnam War
-
https://rozsixties.unl.edu/files/original/591fb5d9a78b72e4f72d8a4770e5d0fd.jpg
e7f8ab33ea68be2dea107e66b9c870ec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
First Annual Detroit-Area Hookers' Halloween Masquerade
Subject
The topic of the resource
Sexual Liberation
Description
An account of the resource
Text at the top reads, "First Annual Detroit-Area Hookers' Halloween Masquerade October 28 9-2 Detroit City Women's Club Park at Elizabeth Tickets at the door - $5.00 Regular $3.00 Unemployed, welfare, youth, seniors, costume contest at 12 prizes for costumes from the fast life, best hooker, trick, pimp vile-cop, live music and entertainment. Cash Bar." Text along the bottom reads, "sponsored by CUPIDS Citizens to Upgrade Prostitution in Detroit and Suburbs. Sister to Coyote chapter of PEP the Prostitution Education Project of Michigan PO Box 32174 Detroit 48232 (313) 331-7703."
Creator
An entity primarily responsible for making the resource
CUPIDS Citizens to Upgrade Prostitution in Detroit and Suburbs
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1990
Format
The file format, physical medium, or dimensions of the resource
poster
Citizens to Upgrade Prostitution in Detroit and Suburbs
CUPIDS
Detroit
Detroit City Women's Club Park
hooker
Hookers' Halloween Masquerade
Michigan
pimp
prostitution
Prostitution Education Project
sexual liberation
-
https://rozsixties.unl.edu/files/original/be60720785b0acfa540f7a184696da52.jpg
bdb9bf8e436f2ed85fef87f67b092c77
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Posters and Graphic Design
Description
An account of the resource
The movements of the Sixties produced a rich history of political posters and other graphic arts. These posters were hung in political offices, bookstores, bedrooms and in public. The posters collected here include designs related to the anti-war movement, Black Power, women’s liberation, the Yippies, counterculture, the Democratic National Convention in Chicago, anti-imperialism, the Cuban Revolution, environmentalism, Bernie Sanders’ elections for Burlington mayor, anti-communism, the labor movement, corporate inequality, the Israeli-Palestinian conflict, and other topics. Of particular note are a series of posters created by the OSPAAAL, the Organisation in Solidarity with the People of Africa, Asia and Latin America, the main publisher of international solidarity posters in Cuba.
Source
A related resource from which the described resource is derived
Roz Payne
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Zimbabwe Liberation Day
Subject
The topic of the resource
Third World Liberation
Description
An account of the resource
This poster, promotes a Zimbabwe Liberation Day event in Pittsburgh, sponsored by the local chapter of the African Liberation Support Committee. According to the African Activist Archive, “The African Liberation Support Committee (ALSC), a black activist organization that supported Pan Africanism, was organized at a conference in September 1972 in Detroit, Michigan. ALSC grew out of the first African Liberation Day (ALD) on May 27, 1972 that drew some 60,000 demonstrators in cities across the U.S. and Canada. The first ALD grew out of a trip of a group of black activists to Mozambique's liberated areas in the summer of 1971. One of the activists on that trip was Owusu Sadaukai who, upon his return, convened a meeting in Greensboro, North Carolina that led to the first ALD demonstration, which was designed to show support for African liberation struggles. A second ALSC conference was held in 1974 and was attended by 51 local committees from 27 states and six countries. ALSC organized African Liberation Day each May, and in 1973 demonstrations were held in more than 30 cities with an estimated 100,000 participants. The 1973 African Liberation Day included a call to boycott Portuguese products and Gulf Oil because of its operation in Angola. By 1974 ideological conflicts and other factors including class and regional differences weakened the organization. Many of those who had been involved in ALSC went on to found or join other organizations supporting African struggles against colonialism and apartheid.” During the late-1970s, the United States and Soviet Union engaged in diplomatic maneuvers to discuss Cold War politics on the African continent, including Zimbabwe (formerly Rhodesia).
Creator
An entity primarily responsible for making the resource
unknown
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. late-1970s
Format
The file format, physical medium, or dimensions of the resource
poster
African Liberation
African Liberation Day
African Liberation Support Committee
Angola
anti-colonialism
Canada
demonstration
Detroit
Greensboro
Jimmy Carter
Leonid Brezhnev
Michigan
Mozambique
North Carolina
Owusu Sadaukai
Pennsylvania
Pittsburgh
Portuguese
Rhodesia
Soviet Union
Third World liberation
Zimbabwe Liberation Day
-
https://rozsixties.unl.edu/files/original/089109b3d7d345ba55bc1d8189ac6212.jpg
da9c07f80612ba83c2c2b6ce87e70c05
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
White Panther Party
Description
An account of the resource
Founded in 1968 by Pun Plamondon, Leni Sinclair, and John Sinclair as a response to Huey P. Newton’s call for separate, white, anti-racist groups in support of the Black Panther Party, the White Panthers served as a countercultural group dedicated to "cultural revolution." The group was most active in Detroit, Michigan, and was connected with the porto-punk band, MC5. Though a white anti-racist organization, the White Panthers worked with a variety of other groups in what was known as the Rainbow Coalition.
Creator
An entity primarily responsible for making the resource
White Panther Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1968
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
Anti-Racist Movement
anti-racism
Detroit
John Sinclair
Leni Sinclair
MC5
Michigan
Pun Plamondon
Racial Justice
Rainbow Coalition
White Panther Party
-
https://rozsixties.unl.edu/files/original/6dce9f624a9aff270918e5b61d84c848.jpg
24a812cbd8b12ca8be272c43d251f2fc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Free John Sinclair
Description
An account of the resource
Founder of the Black Panther counterpart, the White Panther Party, John Sinclair was arrested in 1969 for drug possession. Labelled a political prisoner by the New Left, Sinclair’s case inspired landmark litigation, specifically the 1972 Supreme Court ruling, U.S. vs. U.S. District Court, which stated that law enforcement officials were required to issue a warrant prior to conducting investigations on electronic media.
This particular button promotes the "Free John Sinclair Rally" at the Grand Ballroom in Detroit, Michigan, on January 24, 1970, a date proclaimed ‘International Free John Sinclair Day’ by The Fifth Estate and The Seed. The rally featured 24 acts, including MC5, The Stooges, Commander Cody, Amboy Dukes, Bob Seger. Speakers included Abbie Hoffman and attorney Ken Cockrell.
The following year, an even bigger "John Sinclair Freedom Rally" was held at the University of Michigan's Chrisler Arena on December 10, 1971, to honor of John Sinclair and to encourage an end the state ban on marijuana. John Lennon & Yoko Ono headlined this event, which also featured Allen Ginsberg, Jerry Rubin, Bob Seger, Phil Ochs, Commander Cody and His Lost Planet Airmen, poet Ed Sanders, Black Panther Party chairman Bobby Seale, Chicago Seven defendant Rennie Davis, radical priest Father James Groppi, and jazz legend Archie Shepp. Sinclair was released from jail shortly after the 1971 event.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1970
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Subject
The topic of the resource
New Left
Creator
An entity primarily responsible for making the resource
Free John Sinclair
Abbie Hoffman
Allen Ginsberg
Amboy Dukes
Ann Arbor
Archie Shepp
Black Panther Party
Bob Segar
Bobby Seale
Button
Chrisler Arena
Commander Cody
Detroit
Ed Sanders
Fifth Estate
Fr. James Groppi
Grand Ballroom
Jerry Rubin
John Lennon
John Sinclair
Ken Cockrell
marijuana
MC5
Michigan
Phil Ochs
politics
protest
rally
Rennie Davis
Stevie Wonder
The Seed
The Stooges
U.S. vs. U.S. District Court
University of Michigan
White Panther Party
Yoko Ono
-
https://rozsixties.unl.edu/files/original/9475f7fff7e8eade94a959dbf362d2bf.jpg
5a6aa02403981c39aeef91e942542c2d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buttons
Description
An account of the resource
Buttons were one of the most popular and pervasive forms of political messaging during the 1960s, combining brief messaging and memorable graphic designs. Buttons were inexpensive to produce on a mass basis and easy to distribute. They afforded any individual an opportunity to voice their opinions and, potentially, reach a broad audience. As Hunter Oatman-Stanford has written, “From discreet lapel pins to oversized buttons on purses or backpacks, pinbacks invite conversation by declaring potentially controversial viewpoints to complete strangers.” In this way, buttons were (and still are) a particularly democratic form of political propaganda.
As button collector, John Aisthorpe, has put it, buttons offer “a little snapshot of history.” During the 1960s, buttons were vital to the visual identity of a range of movements. “There were many protest groups who put their views on buttons,” Aisthorpe recalls, “from the early ’60s with the Free Speech Movement (FSM) to the Student Nonviolent Coordinating Committee (SNCC), Students for a Democratic Society (SDS) and, later, the Veterans for Peace, the Fifth Avenue Vietnam Peace Parade Committee, and the Yippies.” The political impact of buttons in the 1960s is hard to gauge, though their popularity suggests some modicum of significance. And, as Aisthorpe has asserted, “It’s hard to say what impact they had, but the text of buttons worn at protests were often used as antiwar chants, like ‘Hell no, we won’t go!’… They must have had some effect.” The buttons of the 1960s have remained some of the most enduring relics from this important past.
This collection includes buttons from a wide array of movements from the Sixties, including the student movement, civil rights and Black Power movements, women's liberation, environmentalism, the anti-nuclear movement, gay liberation, electoral politics, the Chicano movement, the labor movement and the counterculture, with a strong emphasis on the anti-war movement. In addition, a few buttons date from Roz Payne’s activist efforts in the 1970s and 1980s, including the early political campaigns of Vermont politician, Bernie Sanders.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Amigas Club
Description
An account of the resource
This button advertises the Amigas Club, a gay civic organization in Detroit made up predominantly of middle-class black women.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
Button
Type
The nature or genre of the resource
Physical Object
Creator
An entity primarily responsible for making the resource
The Amigas Club
Subject
The topic of the resource
Gay Liberation
Date
A point or period of time associated with an event in the lifecycle of the resource
unknown
Amigas Club
Civil Rights
Detroit
Gay Liberation
identity politics
intersectionality
pride
-
https://rozsixties.unl.edu/files/original/230f961ab6d8635d85ebe0e1cfa32bae.jpg
631320079aabbebcfba1028381705fc6
https://rozsixties.unl.edu/files/original/6a2496a67cdd26f7433679ebeea57a71.jpg
ed33dc0e728b4bad9e2aa01f23cef6f4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Attica - My Lai Both the Same
Creator
An entity primarily responsible for making the resource
Prisoners Solidarity Committee
Source
A related resource from which the described resource is derived
Roz Payne
Type
The nature or genre of the resource
leaflet
Subject
The topic of the resource
Black Power and Prisoner Rights Movement
Description
An account of the resource
This leaflet compares the Attica Uprising massacre to the My Lai massacre in Vietnam.
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. early-1970s
Format
The file format, physical medium, or dimensions of the resource
mimeograph
Attica Prison Riot
Black Power
Boston
Buffalo
Cleveland
Delaware
Detroit
Massachusetts
Michigan
Milwaukee
My Lai Massacre
New York
Ohio
Prison Reform
Prisoners Solidarity Committee
Rochester
Syracuse
Vietnam War
Wilmington
Wisconsin
-
https://rozsixties.unl.edu/files/original/981f7e3fe0d82a5b5708a8c4d3a632e4.jpg
db98eb368098c67dc15193e03c8dd5f0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ten-Point Program of the White Panther Party
Subject
The topic of the resource
White Anti-Racism
Description
An account of the resource
Founded in 1968 by Pun Plamondon, Leni Sinclair, and John Sinclair as a response to Huey P. Newton’s call for separate, white, anti-racist groups in support of the Black Panther Party, the White Panthers served as a countercultural group dedicated to "cultural revolution." The group was most active in Detroit, Michigan, and was connected with the porto-punk band, MC5. Though a white anti-racist organization, the White Panthers worked with a variety of other groups in what was known as the Rainbow Coalition.
The Red Star Sisters was the name given to women in the
White Panther Party. In a 1970 statement, the Red Star Sisters wrote, "The Red Star is a universal symbol of COMMUNEism, of living and working together, coming together, a symbol of righteous revolution and love for ALL of humanity. We, the sisters of the White Panther Party, take the Red Star as the symbol of our own liberation, and align I ourselves with all oppressed people on the planet."
This artifact includes the White Panther's adaptation of the Black Panther Party's famous Ten-Point Program.
Creator
An entity primarily responsible for making the resource
White Panther Party and Red Star Sisters
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1970
Format
The file format, physical medium, or dimensions of the resource
mimeograph
Type
The nature or genre of the resource
leaflet
anti-racism
Black Panther Party
Black Power
counterculture
Detroit
John Sinclair
Leni Sinclair
MC5
Michigan
Pun Plamondon
Rainbow Coalition
Red Star Sisters
Ten-Point Program
White Panther Party
-
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f85374cea2800e3d60183a2956ef9f08
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91ee70ea8ab18918718b1388e26548f7
https://rozsixties.unl.edu/files/original/606bf1795f6d2ba81dbc807e9ef1c57f.jpg
4ac462c762768ccbe004df1fe26b66e1
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"United States 1967: High Tide of Black Resistance," by James Forman
Subject
The topic of the resource
Black Power
Description
An account of the resource
James Forman was an important leader in the black freedom movement, from the southern civil rights struggle in SNCC, to the Black Power movement with the Black Panther Party and League of Revolutionary Workers. In this essay, published by SDS, Forman provides a historical analysis of racial oppression against black people in the U.S. and the accelerating freedom struggle in 1967, particularly the growing spirit of resistance. This period of resistance, Forman wrote, was underscored by a new militant consciousness, an international perspective, urban rebellion, armed self-defense and radicalism. At the same time, he enumerates the rising backlash and government repression against the African American liberation struggle.
Creator
An entity primarily responsible for making the resource
SDS
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
Format
The file format, physical medium, or dimensions of the resource
pamphlet
Alggeria
Black Panther Party
Black Power
C.I.A.
Carl Stokes
Charlie Cobb
Cleveland Sellers
Detroit
H. Rap Brown
James Forman
Julius Lester
LBJ
liberation
New Left
Newark
radicalism
SDS
SNCC
Stokely Carmichael
Thurgood Marshall
Vietnam War
Watts
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
White Panther Party "Ten-Point Program"
Subject
The topic of the resource
White Panther Party
Description
An account of the resource
Founded in 1968 by Pun Plamondon, Leni Sinclair, and John Sinclair as a response to Huey P. Newton’s call for separate, white, anti-racist groups in support of the Black Panther Party, the White Panthers served as a countercultural group dedicated to "cultural revolution." The group was most active in Detroit, Michigan, and was connected with the porto-punk band, MC5. Though a white anti-racist organization, the White Panthers worked with a variety of other groups in what was known as the Rainbow Coalition.
This "Ten-Point Program" is a variation of the Black Panther Party's original "Ten-Point Program."
Creator
An entity primarily responsible for making the resource
White Panther Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
July 4, 1970
Format
The file format, physical medium, or dimensions of the resource
manifesto
anti-racism
Black Panther Party
Detroit
identity politics
John Sinclair
Leni Sinclair
MC5
Michigan
New Left
Pun Plamondon
Rainbow Coalition
Ten-Point Program
White Panther Party
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
CIA Conspiracy Trial Office
Subject
The topic of the resource
White Panther Party
Description
An account of the resource
This communiqué, written by Genie Plamondon, explores the changing politics of the White Panther Party during the late-1960s.
Genie Plamondon joined the White Panther Party in the summer of 1967. An organizer and activist, Plamondon was in charge of communications between WPP chapters, as well as chapter training, an organizer of the Red Star Sisters, and also held a leadership position as “Minister of Foreign Affairs” in the organization. During the late-1960s, she traveled overseas to Vietnam as a civilian observer and eyewitness and attended Woodstock to promote the Free John Sinclair campaign.
Creator
An entity primarily responsible for making the resource
White Panther Party
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1969
Format
The file format, physical medium, or dimensions of the resource
leaflet
Anti-War
counterculture
Detroit
Genie Plamondon
Michigan
Pun Plamondon
Red Star Sisters
Vietnam War
White Panther Party
Woodstock Music and Art Festival
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leaflets, Flyers, Broadsides and Article Reprints
Description
An account of the resource
The social movements of the Sixties produced hundreds of leaflets, flyers, broadsides and reprinted articles. These items were an important part of movement culture and another important organizing tool for activists and organizations. They were mimeographed and circulated widely at meetings, through the mail and by hand.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Man's World & Welcome To It
Subject
The topic of the resource
Women's Liberation
Description
An account of the resource
This article, by Kae Halonen, provides a Marxist feminist analysis of her upbringing, women's history, the job market, property relations and factory workers.
Creator
An entity primarily responsible for making the resource
Radical Education Project, Detroit, Michigan
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Format
The file format, physical medium, or dimensions of the resource
mimeograph
Type
The nature or genre of the resource
article
Detroit
feminism
Kae Halonen
Marxism
Michigan
Radical Education Project
Women's Liberation
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Black Panther, August 15, 1970
Description
An account of the resource
Inside this issue of The Black Panther are multiple articles that speak to the harassment by law enforcement against party members selling the Newspaper in Winston Salem, North Carolina, and Cambridge, Massachusetts. This issue also highlights how the Federal Bureau of Investigation infiltrated the Black Panthers with trained informants and created a fake newspaper called the "Bay State Banner." Other items include an article on “revolutionary suicide”; short pieces on the Soledad Brother; Alabama Liberation Front; Chicago Liberation School; National Chicano Moratorium Committee; police brutality in Hartford; Joan Kelley; Bobby Seale’s appeal; a call for justice for the "Los Siete de la Raza”; a two page spread of letters written to Huey Newton from children at the Black Panther Party Liberation School in San Francisco thanking him and the Panthers for the school; a critique of the American Constitution explaining institutional racism, particularly in the prison system; a message from Huey Newton to the People’s Revolutionary Constitutional Convention; a critique off integration; the N.C.C.F.; and, artwork by Emory Douglas.
Creator
An entity primarily responsible for making the resource
The Black Panther Intercommunal News Service
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
August, 15, 1970
Subject
The topic of the resource
Black Power
Type
The nature or genre of the resource
underground press
Aaron Douglas
Alabama
Alabama Black Liberation Front
Annette Alston
armed self-defense
armed struggle
Barron Howard
Bessie Phillips
Black Panther Party
Black Power
Bo Staff
Bobby Seale
Cambridge
capitalism
Chicago
Chicano movement
Christine Ricks
Columbus Worshey
Community Survival Programs
Compton
Connecticut
Cook County
Cornelius Jones
criminal justice
Detroit
Emory Douglas
Folsom Prison
Free Bobby
Free Los Siete
Hartford
Henry Jones
Holmsburg Prison Rebellion
housing project
Huey Newton
Illinois
integration
James McClain
Joan Kelley
Joe Brodnik
Jonathan Jackson
La Raza
Larry Smith
Leonard Colar
LeRoy Young
Liberation School
Lima
Massachusetts
National Chicano Moratorium Committee
National Committee to Combat Fascism
New Bedford
New Haven
North Carolina
Ohio
Philadelphia
Phillip Streeter
Pigs
Police Brutality
Political Prisoners
Prison Reform
Revolutionary People's Constitutional Convention
Revolutionary Suicide
Rockford
Ruchell McGee
San Francisco
San Quentin
San Rafael
Soledad Brothers
Ten Point Program
violence
William Christmas
Willie Appleton
Winston-Salem
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Black Panther, October 9, 1970
Creator
An entity primarily responsible for making the resource
The Black Panther Intercommunal News Service
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
October 9, 1970
Description
An account of the resource
In this issue of The Black Panther, published on October of 1970, articles focus on the death of Joyce Annette Henderson; a tribute article and poem to Alprentice "Bunchy" Carter; diphtheria epidemic; the People’s Free Busing to Prison Program; police repression in Detroit; the aftermath and continued oppressive conditions inside of Attica Prison; the Angela Davis People's Free Food Program and the David Hilliard Free Shoe Program; a special tribute to "Heroic Guerilla’s”; a petition to indict Richard Nixon and Nelson Rockefeller; a notice of Huey Newton's trial at the Alameda Courthouse in California and artwork by Emory Douglas
Subject
The topic of the resource
Black Power
Type
The nature or genre of the resource
underground press
Alprentice "Bunchy" Carter
Angela Davis People's Free Food Program
Attica Prison Riot
Black Panther Party
David Hilliard Free Shoe Program
Detroit
diphtheria
Emory Douglas
Huey Newton
Intercommunal News Service
Joyce Annette Henderson
Nelson Rockefeller
People’s Free Busing to Prison Program
Richard Nixon
Underground Press
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Guerrilla, vol. 1, no. 1, January 1967
Creator
An entity primarily responsible for making the resource
Artists' Workshop Press
Title
A name given to the resource
Guerrilla, vol. 1, no. 1, January 1967
Description
An account of the resource
In 1966, Detroit cultural radicals, Allen Van Newkirk, John Sinclair and Gary Grimshaw created Guerrilla, “a monthly newspaper of contemporary kulchur” and “weapon of cultural warfare.” The newspaper was a part of a larger project, the Detroit Artists Workshop, which was formed in 1964, “a local attempt in self-determination for artists of all disciplines.” Guerrilla mixed “humor, politics and music under the circus big top of surrealism and pop culture.” It was primarily a cultural review and included an international artistic perspective. Soon after its first issue appeared, Van Newkirk, who was a revolutionary anarchist with an antipathy for the hippie counterculture and slackers, split with the Detroit Artists Workshop and fired Sinclair, who was more aligned with the hippie counterculture. Despite their ideological and political differences, the two, in fact, continued to work together on Guerrilla, though Van Newkirk’s vision predominated. In subsequent issues, Van Newkirk included a series of oversized political posters. This inaugural issue includes articles on the New Consciousness by Michael McClure; a defense of obscenity; Black Dada by Tom Fiofori; Film Math and Music by Stan Brakhage; poetry by Diane di Prima, Andre Codrescu and Robert Kelly; jazz music reviews by John Sinclair; an interview with Jazz altoist Marion Brown; a statement by Albert Ayler; a section of Joel Oppenheimer’s new play; and Andre Breton and Diego Rivera’s famous essay on “revolutionary art.”
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
January 1967
Type
The nature or genre of the resource
underground press
Albert Ayler
Allen Van Newkirk
anarchism
Andre Breton
Andre Codrescu
counterculture
cultural revolution
dadaism
Detroit
Detroit Artists Workshop
Diane DiPrima
Diego Rivera
Gary Grimshaw
Guerrilla
hippie
jazz
Joel Oppenheimer
John Sinclair
Marion Brown
Michael McClure
Michigan
Music
New Left
poetry
Robert Kelly
Stan Brakhage
surrealism
theater
Tom Fiofori
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prisoners Solidarity Committee, September 17, 1971
Subject
The topic of the resource
Prisoner's Rights Movement
Description
An account of the resource
The Prisoners Solidarity Committee was organized in 1971 by the Workers World Party, a revolutionary Marxist organization made up mainly of white radicals, to provide outside help for the incarcerated after a prison uprising in Auburn, New York. Initially formed in New York, the PSC ultimately spread to other locations across the country, including Buffalo, Syracuse, Rochester, Boston, Cleveland, Detroit, Milwaukee and Wilmington, Delaware. In addition to white leftists, the group also included relatives of prisoners and some ex-prisoners. The PSC sought to publicize the conditions inside U.S. prisons and advocate for reform.
The group also played a role in the Attica Prison uprising. This special newsletter on Attica includes articles on conditions inside the prison; prisoner demands; prisoners’ relatives; a meeting with community members; solidarity protests in other cities.
Creator
An entity primarily responsible for making the resource
Prisoners Solidarity Committee
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
September 17, 1971
Type
The nature or genre of the resource
underground press
Attica Prison
Attica Prison Riot
Black Power
Boston
Buffalo
Cleveland
Delaware
Detroit
Marxism
Massachusetts
Michigan
Milwaukee
New Left
New York
Ohio
prison
Prison Reform
Prisoner's Rights Movement
Prisoners Solidarity Committee
Rochester
Syracuse
Wilmington
Wisconsin
Workers World Party
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
newspaper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Right On!
Subject
The topic of the resource
Black Panther Party
Description
An account of the resource
Right On! was published by the Revolutionary Peoples Communications Network and the Black Community News Service of the Black Panther Party. This issue includes articles about Attica Prison Rebellion; Eldridge Cleaver and Algeria; the murder of George Jackson; the aftermath of San Quentin; prison resistance by Afeni Shakur; the murder of Leroy King; police shoot-out in Detroit; slumlords; the Black Liberation Army; police repression against Black Panthers in New Jersey; political corruption in New Jersey; Black Liberation Army in Los Angeles; Free Food Program; welfare; prison and trial news; capitalism, dope and genocide; international acts; on Revolutionary Justice; voodoo in the black community; cartoons; poetry and the Ten-Point Program.
Creator
An entity primarily responsible for making the resource
Black Community News Service
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
September 15-30, 1971
Type
The nature or genre of the resource
underground press
Afeni Shakur
Algeria
Black Liberation Army
Black Panther Party
Black Power
California
capitalism
Detroit
dope
Eldridge Cleaver
Free Food Program
genocide
George Jackson
Leroy King
Los Angeles
Michigan
police
police repression
Revolutionary Peoples Communications Network
revolutionary justice
San Quentin
Ten Point Program
voodoo
welfare
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Underground Press
Description
An account of the resource
One of the key characteristics of the various movements of the 1960s-era was the creation of alternative, or "underground," newspapers. These newspapers were not clandestine, though. Quite the opposite. They were important public organizing tools for New Left movements, crucial to disseminating information, educating activists and promoting events. In addition to articles, they also often included comix and other graphics, advertisements and sometimes even personals. This collection contains a range of underground newspapers, some focused on a particular movement, like the women's movement, others offering broader coverage of the many movements taking place at the time.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sun, October 1975
Subject
The topic of the resource
New Left
Description
An account of the resource
The Ann Arbor Sun was a newspaper founded by John Sinclair in November 1968 as a vehicle for the White Panther Party. In the 1970s, the newspaper transitioned into an independent publication covering local issues, left-wing politics, music, and arts. In 1975, the newspaper evolved into The Sun, which focused more on Detroit than Ann Arbor. Finally in 1976, publication was suspended indefinitely.
This issue includes articles on the state of the city; red-lining; overdoses; busing in Detroit; rent strikes in Ann Arbor; Police Athletic League; Angola; heroin industry and police; interview with Howard Kohn; Francis Ford Coppola interview; music and performance reviews; community calendar.
Creator
An entity primarily responsible for making the resource
Ann Arbor Sun, Inc.
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
October 1975
Format
The file format, physical medium, or dimensions of the resource
newspaper
Angola
Ann Arbor
Ann Arbor Sun
busing
Chuck Jackson
counterculture
Dave Brubeck
Detroit
Francis Ford Coppola
heroin
Howard Kohn
Jimmy cliff
John Coltrane
John Sinclair
Michigan
New Left
Paul Robeson
police
Police Athletic League
red squads
red-lining
rent strike
The Sun
Underground Press
White Panther Party
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Small Press Publications
Description
An account of the resource
During the 1960s, numerous radical and independent small presses were created to publish longer essays, manifestos, philosophical tracts, treatises and poetry related to the movements of the New Left. These independent presses filled a niche that mainstream and commercial presses largely ignored. Small press publications were particularly vibrant in the women's liberation movement. While many of these independent publishers of the Sixties were short-lived, others have continued into the present.
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Black Judgement
Subject
The topic of the resource
Racial Justice
Description
An account of the resource
Published originally in 1968, this early book of poetry by Nikki Giovanni explored and appreciated black militancy. The volume was published by Broadside Press in Detroit, Michigan. This copy, which is the seventh printing of the first edition, came out in 1972 and was signed by Giovanni to Roz Payne in 1986.
Creator
An entity primarily responsible for making the resource
Nikki Giovanni
Source
A related resource from which the described resource is derived
Roz Payne
Publisher
An entity responsible for making the resource available
Center for Digital Research in the Humanities, University of Nebraska-Lincoln
Date
A point or period of time associated with an event in the lifecycle of the resource
1968, 1972
Format
The file format, physical medium, or dimensions of the resource
small press publication
black liberation
Broadside Press
Detroit
Michigan
Nikki Giovanni
poetry
Racial Justice
Roz Payne